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Metal Print : Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing... 1783. Creator: Henry Fuseli
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Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing... 1783. Creator: Henry Fuseli
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress, 1783
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Media ID 36214564
© Heritage Art/Heritage Images
Boccaccio Boccaccio Giovanni Bucking Character Characters Charcoal Chase Chasing Decameron Decamerone Dryden John Fuessli Heinrich Fuseli Henri Fuseli Henry Fuseli Henry The Younger Fuseli Jean Henri Fussli Heinrich Fussli Johann Heinrich Giovanni Boccaccio Heinrich Fuessli Heinrich Fussli Henri Fuseli Henry Fuseli Henry Fuseli Esq Ra Johann Heinrich Fussli John Dryden Jumping Mastiff Novella Princess Rosetta Stumping Swiss Switzerland The Decameron Wash Laid Paper Mastiffs
16"x20" (51x41cm) Metal Print
Step into the captivating world of art history with our Media Storehouse Metal Print of Henry Fuseli's masterpiece, "Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing..." (1783). This iconic painting, featuring Theodore's encounter with the vengeful spirit of his ancestor Guido Cavalcanti, comes alive in vibrant metallic tones. Witness the intense emotion and dramatic storytelling as Fuseli masterfully depicts the confrontation between Theodore and Guido, with the latter chasing his former disdainful mistress. Experience the intrigue and mystery of this captivating artwork in your home or office with our high-quality Metal Print, expertly crafted to bring out the rich details and bold colors of this timeless masterpiece.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti: A Tale of Unrequited Love and Ancestral Legacy This hauntingly beautiful 18th-century drawing by Henry Fuseli, titled "Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti," transports us to a time and place where myth, literature, and art intertwine. The scene depicts Theodore, a young man, coming face to face with the specter of his ancestor, Guido Cavalcanti, in the depths of a forest. Guido, portrayed as a gaunt, spectral figure, is shown chasing after his former disdainful mistress with a pack of mastiffs. The inspiration for this work comes from Giovanni Boccaccio's Decameron, a collection of novellas written in the 14th century. In the story, Guido Cavalcani, a Florentine poet, is spurned by his lover, who prefers another man. In his anger and despair, Guido curses his lover and vows to haunt her for all eternity. Fuseli's depiction of this tale captures the essence of the original story, with its themes of unrequited love, vengeance, and the passage of time. The drawing is a masterful work of art, executed in charcoal, stumping, and brush and black wash over graphite on tan laid paper laid down on off-white Japanese paper. The use of black and white tones creates a stark contrast, highlighting the dramatic and emotional intensity of the scene. The figures are rendered with a sense of dynamism and energy, capturing the raw emotion and passion of the characters. This drawing is a testament to Fuseli's artistic vision and his ability to bring to life the stories and characters of the past. It is a must-see for anyone interested in the history of art, the Decameron, or the human condition. Whether you are a scholar, a collector, or simply someone who appreciates the beauty of art, this drawing is sure to leave a lasting impression.
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