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Metal Print : Toning the Bell, 1874. Creator: Walter Shirlaw
Metal Prints from Heritage Images
Toning the Bell, 1874. Creator: Walter Shirlaw
Toning the Bell, 1874. Musicians in a foundry, helping the blacksmith tone a church bell
Heritage Images features heritage image collections
Media ID 24047058
© Heritage Art/Heritage Images
Bell Blacksmith Fiddle Fiddler Forge Foundry Hammer Metal Industry Metal Worker Metallurgy Metalworker Metalworking Metalworks Musicians Note Shirlaw Walter Sound Stringed Instrument Tools Vice Violin Violin Player Violinist Walter Shirlaw Workshop Arts Of The Americas Playing An Instrument Tone
16"x20" (51x41cm) Metal Print
Experience the rich history and intrigue of the past with our Media Storehouse Metal Prints featuring "Toning the Bell," 1874 by Walter Shirlaw. This captivating image transports you to a foundry, where musicians collaborate with a blacksmith to tone a church bell. Each print is meticulously crafted with high-quality metal materials, ensuring a stunning and durable display. Bring the authentic charm of this Victorian-era photograph into your home or office and relive the story behind this unique moment in time.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Toning the Bell, 1874
EDITORS COMMENTS
captures a captivating scene from 19th century America, showcasing the intersection of art and industry. In this remarkable oil painting by Walter Shirlaw, we are transported to a bustling foundry where musicians lend their talents to help a blacksmith tone a church bell. The composition is filled with vibrant colors and intricate details that bring this moment in time to life. A group of men, including the blacksmith himself, can be seen engrossed in their work as they use hammers and tools to shape the bronze bell. Amidst the clanging sounds of metalworking, a fiddler passionately plays his instrument while another musician plucks at his violin strings. Shirlaw's masterful brushwork beautifully captures both the physicality of labor and the harmony created by music. The artist skillfully juxtaposes elements of industrial machinery with delicate musical instruments, highlighting how these seemingly disparate worlds can coexist harmoniously. This painting not only celebrates American craftsmanship but also serves as an ode to collaboration and creativity across different disciplines. It reminds us that art has no boundaries – it transcends time and place, weaving together various aspects of our shared human experience. Displayed at the Art Institute Chicago's gallery for Arts of Americas collection, "Toning the Bell" stands as a testament to Walter Shirlaw's talent for capturing moments that resonate deeply within our cultural heritage.
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