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Metal Print : Turkish Dervishes - from an original drawing by James Robertson, of Constantinople, 1854. Creator: Unknown
Metal Prints from Heritage Images
Turkish Dervishes - from an original drawing by James Robertson, of Constantinople, 1854. Creator: Unknown
Turkish Dervishes - from an original drawing by James Robertson, of Constantinople, 1854. Among the varied population of Constantinople, not the least picturesque are the Dervishes, whose dancing and howling performances are stock subjects in most books of travels to the capital of the Ottoman Empire. Their full trousers and huge mantles, and Eastern head-dress, make up a very effective costume...Contrary to the custom of all the other Moslemah...the dervishes permit Europeans to penetrate to the very heart of their tekkes, on the sole condition of leaving their boots or shoes at the entrance, and entering in bare feet or with slippers. They chant their litanies, and perform their evolutions without seeming in the least disturbed by the presence of Christians, whose attendance as spectators, is said, on the contrary, to be regarded by them as rather flattering than otherwise...'. From "Illustrated London News", 1854
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Media ID 36229643
© The Print Collector/Heritage Images
Bare Feet Beards Dervish Dervishes Feet Foot James Robertson Ottoman Empire Robertson James Sufi Turban Turbans Turkey Turkish Barefoot Head Dress
16"x20" (51x41cm) Metal Print
Step into the mystical world of the Turkish Dervishes with our exquisite Metal Prints, featuring an enchanting drawing by James Robertson from 1854. Captured in Constantinople, these spiritual figures are a captivating representation of the rich cultural heritage of the Ottoman Empire. The intricate details of their traditional garments and thoughtful expressions are brought to life through the vibrant colors and textures of our premium metal print finish. Elevate your home decor or office space with this unique and thought-provoking piece, sure to spark conversation and inspire reflection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative image captures the enigmatic presence of Turkish Dervishes in 19th century Constantinople, as depicted in an original drawing by James Robertson. The intriguing figure of the Dervish has long fascinated travelers to the Ottoman Empire, with their distinctive attire and mystical practices making for captivating subject matter in many accounts of the region. The Dervishes in this scene are shown in their full regalia, with voluminous trousers and oversized mantles, topped by the iconic Eastern headdress. Their tranquil expressions and focused gaze convey a sense of deep spirituality, in stark contrast to the lively and frenzied performances they are known for. Despite their reputation for otherworldly practices, the Dervishes welcomed the presence of Europeans in their tekkes, or monasteries, under the condition that they remove their shoes or wore slippers. This unique arrangement allowed for a rare glimpse into the heart of their sacred spaces, where they chanted litanies and executed their evolutions, seemingly unfazed by the presence of outsiders. The European spectators, in turn, were said to view the Dervishes' performances as a mark of honor, rather than a source of disrespect. This intriguing interaction between the Eastern and Western worlds is beautifully captured in this timeless drawing, offering a glimpse into the rich cultural exchange that characterized Constantinople during the 19th century.
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