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Metal Print : Victoria Memorial at Calcutta, ca. 1910s. Creator: Johnston & Hoffmann
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Victoria Memorial at Calcutta, ca. 1910s. Creator: Johnston & Hoffmann
Victoria Memorial at Calcutta, ca. 1910s. [Monument to Queen Victoria, on the banks of the Hooghly River in Kolkata, India. The building opened to the public in 1921]. Gelatin silver print
Heritage Images features heritage image collections
Media ID 24035297
© Heritage Art/Heritage Images
Alexandrina Victoria British India British Raj Calcutta West Bengal India Dome Domed Empress Of India Gelatin Silver Print George Curzon George Nathaniel Curzon Hoffmann Hooghly Imperialism Johnston And Hoffmann Kolkata West Bengal India Lord Curzon Lord Curzon Of Kedleston Marble Memorial Ministry Queen Victoria River Hooghly The Raj Victoria Memorial British Empire Estuary Hindoostan Maidan William Emerson
16"x20" (51x41cm) Metal Print
Bring the grandeur of the past into your modern home with our exquisite Metal Print of Victoria Memorial in Calcutta, India. Captured in the 1910s by renowned photographers Johnston & Hoffmann, this gelatin silver print showcases the timeless beauty of the monument dedicated to Queen Victoria. The intricate details of the architectural masterpiece are brilliantly brought to life on our high-quality metal print, creating a stunning and durable piece of art that is sure to be a conversation starter. Add a touch of history and elegance to your living space with this captivating and vintage photograph.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This gelatin silver print captures the majestic Victoria Memorial at Calcutta in the 1910s. Standing proudly on the banks of the Hooghly River in Kolkata, India, this iconic monument pays homage to Queen Victoria and serves as a symbol of British imperialism during the British Raj era. The building itself, with its grand domed architecture, exudes an air of elegance and regality. The photograph showcases the intricate details of this architectural masterpiece. The black and white composition adds a timeless quality to the image, emphasizing both its historical significance and artistic value. The estuary in the background further enhances the scenic beauty surrounding this magnificent structure. Created by Johnston & Hoffmann, renowned photographers of their time, this print is a testament to their skillful craftsmanship. It transports viewers back to an era when India was under British rule and highlights how art can serve as a powerful medium for cultural expression. Now housed within Chicago's esteemed Art Institute, this photograph serves as a reminder of our shared history and heritage. Its presence in any collection or gallery would undoubtedly spark conversations about colonialism, identity, and artistic representation. Whether admired for its aesthetic appeal or appreciated for its historical context, this print offers a glimpse into an important chapter in both Indian and British history – one that continues to shape our understanding of culture today.
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