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Metal Print : A yakshi (tree-goddess) from a Jain Stupa, 2nd century

A yakshi (tree-goddess) from a Jain Stupa, 2nd century



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A yakshi (tree-goddess) from a Jain Stupa, 2nd century

A 50cm high sandstone bracket depicting a yakshi (tree-goddess) from a Jain Stupa from Mathura (Uttar Pradesh), from the V&As collection, 2nd century

Heritage Images features heritage image collections

Media ID 14853913

© CM Dixon / Heritage-Images

2nd Century Arm Raised Black Background Jain Jainism Museum Of Ornamental Art Stupa Tope Uttar Pradesh Victoria Albert Museum Victoria And Albert Museum Mike Dixon Yakshi


16"x24" (61x41cm) Metal Print

Bring the ancient beauty of Indian art into your modern home with our Media Storehouse Metal Prints. This exquisite design features a captivating Yakshi, a tree-goddess from a 2nd century Jain Stupa, intricately carved from sandstone. Originally discovered in Mathura, Uttar Pradesh, India, and now part of the Victoria and Albert Museum's esteemed collection, this Yakshi embodies the rich heritage and spiritual significance of Jain art. Our high-quality metal prints are waterproof, scratch-resistant, and UV protected, ensuring your artwork remains vibrant and stunning for years to come. Elevate your space with a touch of history and culture, and let the enchanting presence of the Yakshi inspire and captivate you every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Animals > Fishes > T > Tope

> Asia > India > Related Images

> Historic > Ancient artifacts and relics


EDITORS COMMENTS
This print showcases a remarkable 50cm high sandstone bracket depicting a yakshi, or tree-goddess, from a Jain Stupa dating back to the 2nd century. The image, part of the V&A's prestigious collection, beautifully captures the essence of this ancient artifact found in Mathura, Uttar Pradesh. In vibrant color and intricate detail, we see a female figure standing gracefully with her arm raised in an expressive gesture. Her nakedness symbolizes purity and divinity within Jainism, a religion deeply rooted in spiritual enlightenment and non-violence. The studio shot against a black background enhances the focus on this mesmerizing deity. As we gaze upon her serene countenance and delicate features, it is impossible not to be captivated by her ethereal presence. This photograph transports us back in time to an era when devotion was expressed through artistry and craftsmanship. It serves as a testament to India's rich cultural heritage and religious traditions that continue to inspire awe even today. As we delve into the depths of this image, we are reminded of the power that art holds - transcending time and space to connect us with our ancestors' beliefs and spirituality. This yakshi stands as both an object of beauty and reverence; she invites us to contemplate our place within the vast tapestry of existence while honoring centuries-old traditions that have shaped humanity's collective consciousness.

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