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Metal Print > Historic England > Architecture > Modern Architecture > Space, Hope and Brutalism

Metal Print : Tricorn Centre BB96_10635

Tricorn Centre BB96_10635



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Historic England

Metal Prints from Historic England

Tricorn Centre BB96_10635

Tricorn Centre, Portsmouth. View of the centre from the west photographed in November 1996

Historic England is the public body that champions and protects England's historic places

Media ID 18842693

© Historic England Archive

Modern Shopping Centre Brutalist


16"x20" (51x41cm) Metal Print

Experience the rich history of Portsmouth's iconic Tricorn Centre with our stunning Metal Print by James O. Davies from Historic England. Captured in November 1996, this photograph showcases the unique architecture of the Tricorn Centre from a western perspective. Our Metal Prints are not just beautiful home decor, they're a piece of history brought to life. The high-quality metal print process ensures vibrant colors and exceptional detail, making this print a true work of art. Add a touch of history and sophistication to your space with Tricorn Centre BB96_10635 Metal Print.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Architecture > Modern Architecture > Space, Hope and Brutalism

> Towns and Cities > Portsmouth


EDITORS COMMENTS
This evocative photograph captures the Tricorn Centre in Portsmouth as it stood in November 1996. The image, taken by James O. Davies for Historic England, showcases the brutalist and modern architecture of this iconic shopping centre from a western perspective. The Tricorn Centre, a landmark of Portsmouth's urban landscape, was designed by architects TP Bennett and Partners and opened in 1965. It was a groundbreaking development for its time, featuring innovative use of concrete and open-air spaces. The photograph reveals the Centre's unique design, with its three interconnected towers and intricate geometric patterns. The towers, clad in textured concrete, rise majestically against the grey November sky, their angular forms casting long, dramatic shadows on the ground. The open-air plaza, filled with trees and greenery, lies at the heart of the Centre, providing a tranquil oasis amidst the bustling city. Despite its innovative design, the Tricorn Centre has been a subject of controversy over the years. Some have praised its bold and unapologetic modernity, while others have criticized it as an eyesore. Regardless of opinion, there is no denying the Centre's historical significance and its impact on Portsmouth's architectural landscape. This photograph serves as a snapshot in time, preserving the Tricorn Centre as it was before undergoing extensive redevelopment in the late 1990s and early 2000s. It invites us to reflect on the past and consider the role of brutalist architecture in shaping our cities and communities.

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