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Metal Print : Raising the devil JLP01_14_00036
Metal Prints from Historic England
Raising the devil JLP01_14_00036
St Michaels Cathedral, Coventry. View of Jacob Epsteins sculpture of the devil being hoisted into position 1961-2. John Laing Collection
Historic England is the public body that champions and protects England's historic places
Media ID 13323828
© Historic England. John Laing Photographic Collection
Cathedral Construction Engineering Modern Religion Sculpture
16"x24" (61x41cm) Metal Print
Experience the captivating history of St. Michael's Cathedral in Coventry with our Media Storehouse Metal Print of "Raising the devil JLP01_14_00036" by Historic England Archive. This iconic image, taken from the Historic England Collection, showcases the intriguing moment during the installation of Jacob Epstein's controversial sculpture of the devil in 1961. Our high-quality Metal Prints bring the rich history of this historic moment to life, with vibrant colors and stunning detail that will add depth and character to any space. Each print is meticulously crafted using premium metal sheets coated with a special protective layer, ensuring a long-lasting and waterproof finish. Embrace the allure of history and elevate your home or office decor with this unique and captivating Metal Print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this photo print, we are transported back to the early 1960s, witnessing a momentous event at St Michaels Cathedral in Coventry. The image captures the remarkable sculpture of the devil being raised into position by a team of determined individuals. This striking artwork, created by renowned artist Jacob Epstein, serves as a testament to both modernity and religion. The scene is filled with an air of anticipation and awe as construction workers carefully maneuver the devil's imposing figure towards its designated spot. The juxtaposition between the traditional cathedral setting and this contemporary masterpiece creates a thought-provoking visual experience. This photograph not only showcases the craftsmanship involved in erecting such an intricate sculpture but also highlights the collaboration between engineering and artistry. It symbolizes how these two disciplines can harmoniously coexist within one space, pushing boundaries and challenging conventional norms. As we gaze upon this historical moment frozen in time, it prompts us to reflect on our own beliefs and perceptions of good versus evil. The devil's presence within a religious context challenges us to question preconceived notions while inviting contemplation on themes of spirituality and human nature. Preserved meticulously within Historic England Archive, this print allows us to delve into history's embrace once more – reminding us that even amidst construction sites and engineering marvels, art has always found its place in shaping our collective consciousness.
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