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Metal Print : THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings
Metal Prints from Liszt Collection
THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings
THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith. The shield commemorate the victories of the Duke of Wellington. UK, britain, british, europe, united kingdom, great britain, european
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12831103
© Quint Lox Limited
1755 1820 1834 Benjamin Smith Britain Commemorate Duke Of Wellington Engravings Great Britain Made Shield Silver Shield Thomas Stothard United Kingdom Victories Wellington Shield
20"x24" (61x51cm) Metal Print
Experience the rich history and intricate detail of Thomas Stothard's iconic engraving, "The Wellington Shield," with our Media Storehouse Metal Prints. This masterpiece, created in 1820, pays tribute to the victories of the Duke of Wellington and is a must-have for history enthusiasts and art collectors alike. Originally engraved by 000128 from the Liszt Collection, our high-quality metal prints bring out the stunning details of Stothard's original work, which was adorned with a silver shield made by Benjamin Smith. Elevate your home or office décor with this beautiful and historic piece, available as a metal print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
The Wellington Shield
EDITORS COMMENTS
is a magnificent piece of art that captures the essence of British history and celebrates the victories of the Duke of Wellington. Created in 1820 by Thomas Stothard, a renowned artist known for his engravings, this silver shield stands as a testament to the bravery and triumphs of one of Britain's greatest military leaders. Crafted by Benjamin Smith, the shield itself is an exquisite workmanship that showcases intricate details and expert craftsmanship. The engravings on its surface depict scenes from significant battles fought by the Duke, immortalizing these moments for generations to come. This engraved image transports us back to 19th century Europe, offering a glimpse into Victorian culture and artistic techniques. Its retro style evokes nostalgia while reminding us of the rich heritage that shaped Great Britain. As we admire "The Wellington Shield" we are reminded not only of its historical significance but also its cultural value. It serves as a symbol of national pride and unity, representing the strength and resilience that define British identity. Whether displayed in a museum or adorning someone's private collection, this vintage print holds immense historical importance. It allows us to appreciate both Stothard's illustrative technique and Smith's masterful silverwork while immersing ourselves in an era long gone but never forgotten.
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