Metal Print : As the Artist Might have Drawn it by H. L. Oakley
Metal Prints from Mary Evans Picture Library
As the Artist Might have Drawn it by H. L. Oakley
Silhouettes by Captain H. L. Oakley, showing two opposing views of the Great War - as the artist might have drawn it, and how the censor would certainly prefer it. The artist sees a patrol uncomfortably crawling through the mud on their bellies in contrast to an optimistic charge by British soldiers. Staff at GHQ are seen lounging in armchairs enjoying drinks and smoking cigars as opposed to pouring over maps, and while the artist depicts an issue of rum, the censor prefers Tommies to be seen drinking tea in the trenches. Date: 1919
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14137069
© Illustrated London News Ltd/Mary Evans
Attack Brazier Censor Censorship Charge Oakley Opposing Patrol Silhouettes Staff Trench 1919
16"x24" (61x41cm) Metal Print
Experience the powerful contrasts of war through the captivating Media Storehouse Metal Prints, featuring the evocative silhouettes by H. L. Oakley from Mary Evans Prints Online. With "As the Artist Might Have Drawn It" and "How the Censor Would Certainly Prefer It," these metal prints showcase two opposing views of the Great War. Each print is meticulously crafted to bring out the intricate details and textures of Oakley's original artwork, creating a stunning and thought-provoking addition to your home or office decor. Embrace history and art with these unique and high-quality Metal Prints from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
As the Artist Might Have Drawn It: A Stark Contrast of Reality and Perception during the Great War, as Depicted by Captain H.L. Oakley's Silhouettes In this intriguing comparison of two contrasting views of the Great War, British artist and Captain H.L. Oakley masterfully illustrates the stark divide between the harsh realities of the battlefield and the optimistic perceptions held by those in command at General Headquarters (GHQ). In 'As the Artist Might Have Drawn It,' Oakley presents a poignant and raw depiction of the Western Front, where British soldiers are seen crawling through the mud on their bellies, their silhouettes starkly contrasting against the backdrop of a smoldering brazier. The scene is a far cry from the idealized charges and attacks that were often portrayed in official communications. In sharp contrast, Oakley's 'How the Censor Would Certainly Prefer It' presents a very different image. Here, staff at GHQ are seen lounging in comfortable armchairs, enjoying drinks and cigars, their silhouettes relaxed and carefree. The soldiers in this scene are depicted drinking tea, a far cry from the issue of rum that Oakley portrays in the first silhouette. These contrasting scenes offer a fascinating glimpse into the disparity between the harsh realities of the frontline and the often-rosy perceptions held by those in command. Oakley's skillful use of silhouettes adds an additional layer of intrigue, as the viewer is left to ponder the true nature of the Great War and the role of perception in shaping our understanding of history. This evocative print, created in 1919, serves as a poignant reminder of the complexities of war and the importance of accurately recording history. These silhouettes offer a unique perspective on the Great War, inviting us to reflect on the role of art in shaping our understanding of history and the importance of acknowledging the complexities and contradictions that often lie beneath the surface.
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