Metal Print : Britannia decides against the Channel Tunnel 1882
Metal Prints from Mary Evans Picture Library
Britannia decides against the Channel Tunnel 1882
Britannia decides against the Channel Tunnel.
1882
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14257885
© Mary Evans Picture Library
1882 Anti Britannia Channel Decides Gras Punch Tunnel Tunnels
20"x24" (61x51cm) Metal Print
Bring history to life with our stunning Media Storehouse Metal Print of 'Britannia Decides against the Channel Tunnel' by Mary Evans Picture Library, dated 1882. This captivating image depicts the iconic figure of Britannia, symbolizing the British Empire, standing resolute at the edge of a cliff overlooking the English Channel. Pondering the prospect of a tunnel connecting England and France, she ultimately decides against it, reflecting the political and cultural tensions of the time. Our high-quality Metal Prints offer vibrant colors, sharp details, and a sleek, modern design that adds an artistic touch to any space. Order yours today and relive the rich history of the past, one print at a time.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")
Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Britannia Decides Against the Channel Tunnel (1882): A Punch Cartoon Depicting the Anti-Tunnel Sentiment in Britain during the 19th Century In this intriguing and humorous Punch cartoon from 1882, titled "Britannia Decides Against the Channel Tunnel," we find Britannia, the symbol of Britain, standing on the shores of the English Channel, contemplating the construction of a tunnel beneath the waterway to connect Britain with the European continent. The cartoonist, through clever satire, captures the anti-tunnel sentiment that was prevalent in Britain during the 19th century. Britannia, dressed in her traditional robes and holding a trident, is shown standing in front of a map of Europe and Britain, with her back turned towards the tunnel project. Instead, she is seen indulging in a plate of foie gras, a luxury French delicacy, symbolizing her preference for maintaining the status quo and avoiding any close ties with France. A bottle of wine and a French flag are also present, further emphasizing the cartoon's anti-French sentiment. The Channel Tunnel, or the "Chunnel," as it is commonly known today, was a proposed project to connect Britain and France through a railway tunnel beneath the English Channel. The idea had been floated since the late 18th century, but the technological limitations of the time and the political and economic challenges made it a contentious issue. The Punch cartoon reflects the anti-Channel Tunnel sentiment that was prevalent in Britain during the 1880s. The fear of cultural and economic integration with France, as well as the perceived threat to British sovereignty, were major concerns that fueled the opposition to the project. This cartoon, with its clever use of satire and symbolism, offers a fascinating glimpse into the political and cultural debates of the time.
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