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Metal Print : Caricature, Sir Squire Bancroft and Mowbray Morris

Caricature, Sir Squire Bancroft and Mowbray Morris



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Caricature, Sir Squire Bancroft and Mowbray Morris

Caricature, Sir Squire Bancroft (1841-1926), English actor-manager, and Mowbray Morris, theatre critic, with other critics in the background enjoying food and drink in the Critics Buffet. The suggestion is that this is how to obtain favourable reviews.
1882

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14310524

© Terry Parker / Mary Evans Picture Library

1882 Bancroft Bottle Bribery Bryan Buffet Critic Critics Enjoying Entracte Favourable Manager Media Monocle Morris Mowbray Notices Press Review Reviews Squire Reviewer


16"x20" (51x41cm) Metal Print

Bring a touch of historical humor to your home or office with our Media Storehouse Metal Prints featuring the iconic caricature of Sir Squire Bancroft and Mowbray Morris by Terry Parker from Mary Evans Picture Library. This timeless image captures the English actor-manager, Sir Squire Bancroft, and theatre critic, Mowbray Morris, surrounded by their fellow critics in a lively and jovial setting - the Critics Buffet. Our high-quality Metal Prints offer vibrant colors, stunning clarity, and a sleek, modern design. Each print is meticulously crafted using a special process that prints directly onto a sheet of aluminum, resulting in a beautiful, long-lasting piece of art that is sure to be a conversation starter. Add this unique and intriguing piece to your collection and enjoy the wit and charm of Terry Parker's caricature every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This caricature from the 1880s depicts Sir Squire Bancroft (1841-1926), the renowned English actor-manager, in the midst of a lively scene at the Critics Buffet. Surrounded by theatre critics, including Mowbray Morris, Sir Squire appears to be relishing the moment as he engages in animated conversation with his esteemed guests. The critics, all donning monocles and enjoying food and drink, seem to be in high spirits, suggesting that Sir Squire's charm and hospitality have won them over. During the Victorian era, the relationship between actors and critics was often contentious, with the power to secure favourable reviews being a coveted commodity. The Critics Buffet, an informal gathering where actors and critics mingled, was said to be a popular method for securing positive notices. However, this practice, while common, was not without controversy and raised ethical concerns, as some believed it to be a form of bribery. In this image, Sir Squire Bancroft, known for his charisma and theatrical prowess, is shown in a lighthearted yet strategic moment, using the power of his charm and hospitality to potentially sway the opinions of the influential critics. Alfred Bryan, another well-known theatre critic, can be seen in the background, looking on with a critical eye. This caricature provides a fascinating glimpse into the world of Victorian theatre and the complex dynamics between actors, critics, and the press. The image, created by an unknown artist, is a testament to the enduring allure of the stage and the power of human connection in shaping public opinion.

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