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Metal Print : Cartoon, Disraeli and the Prince of Wales
Metal Prints from Mary Evans Picture Library
Cartoon, Disraeli and the Prince of Wales
Cartoon, Disraeli and the Prince of Wales, with a puppet of Gladstone. This is how Beaky tried to amuse our future king at Hughenden.
1880
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14312130
© Terry Parker / Mary Evans Picture Library
Amuse Beaconsfield Bryan Disraeli Friendly Future Gladstone Guest Hughenden Monocle Puppet Satire Visitor
16"x20" (51x41cm) Metal Print
Bring history to life with our exclusive Media Storehouse Metal Prints featuring the charming cartoon "Cartoon, Disraeli and the Prince of Wales" by Terry Parker from Mary Evans Picture Library. This captivating image, taken from Mary Evans Prints Online, showcases a playful moment between Disraeli, the Prince of Wales, and a puppet of Gladstone. Add a touch of Victorian wit and whimsy to your home decor with this high-quality metal print, expertly crafted to bring out the rich details and vibrant colors of the original artwork. A perfect addition to any room, this unique piece is sure to spark conversation and delight all who see it.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this intriguing Victorian-era photograph, we find a unique moment of levity and camaraderie between three influential figures of British politics: Benjamin Disraeli, the Earl of Beaconsfield, Prince Albert Edward, the Prince of Wales, and a puppet of William E. Gladstone. The scene unfolds at Hughenden Manor, Disraeli's country residence, in 1880. Disraeli, a towering figure in British politics, is seen seated in a comfortable armchair, a monocle perched in his right eye, deep in thought or perhaps amusement. The Prince of Wales, the future King Edward VII, stands beside him, smiling and engaged in the puppet show put on by "Beaky," Disraeli's nickname. The Prince's easy demeanor and friendly expression suggest a lighthearted moment away from the pressures of royal duty. The third figure in this tableau is the puppet of William E. Gladstone, Disraeli's longtime political rival. Gladstone, a prominent Liberal Party leader, is known for his serious and earnest demeanor, making the puppet show an unexpected and humorous way to engage with him. The presence of the puppet adds a layer of satire and political commentary to the image, reflecting the playful yet competitive nature of Victorian-era politics. This photograph offers a rare glimpse into the personal side of these political heavyweights, revealing a moment of camaraderie and lightheartedness amidst the formalities of royal visits and political rivalries. The image is a testament to the humanizing power of humor and the enduring appeal of puppetry as a form of entertainment.
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