Metal Print : Convolvulaceae
Metal Prints from Mary Evans Picture Library
Convolvulaceae
Plate 116 from The Chief Natural Orders of Plants (1849). Illustrated and described by Elizabeth Twining (1805-1889)
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8590307
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10708172
1805 1889 Asterid Bind Weed Bindweed Convolvulaceae Convolvulus Elizabeth Twining Eudicot Solanales Twining Angiospermae Dicot Dicotyledon Magnoliophyta
16"x20" (51x41cm) Metal Print
Bring the beauty of botanical history into your home with our Media Storehouse Metal Prints. Featuring an exquisite image of Convolvulaceae from "The Chief Natural Orders of Plants" (1849) by Elizabeth Twining, this print is taken from Mary Evans Prints Online. Each metal print is meticulously crafted using high-quality metal sheets, ensuring a vibrant and long-lasting display. Add a touch of timeless elegance to your decor while showcasing the intricate details of this beautiful Convolvulaceae illustration. Order yours today and bring a piece of botanical history into your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Plate 116 from The Chief Natural Orders of Plants, an exquisite Victorian-era botanical illustration by Elizabeth Twining (1805-1889) showcases the stunning beauty of a Convolvulaceae flower, specifically the Convolvulus species. Dating back to the 19th century, this illustration is a testament to the intricate detail and artistic skill of the time. The flower, with its vibrant blue hue, is depicted in full bloom, its petals delicately unfurled to reveal their intricate texture and veining. The Convolvulaceae, commonly known as the bindweeds, are a diverse family of flowering plants, belonging to the order Solanales and the class Magnoliophyta. They are angiosperms, meaning they produce seeds enclosed in an ovary, and are dicotyledons, characterized by having two seed leaves. This particular illustration showcases the eudicotyledonous nature of the Convolvulaceae, as evidenced by the net-like venation pattern visible in the leaves. The Convolvulaceae are known for their twining stems, which allow them to climb and support themselves, making them a common sight in gardens and natural habitats alike. The family is part of the asterid clade, a large and diverse group of flowering plants, and is a valuable source of research in areas such as genetics and pharmacology. Elizabeth Twining was a prolific botanical illustrator of her time, producing numerous works that documented the natural world with great accuracy and artistry. Her illustrations, such as this one, continue to captivate and inspire, offering a glimpse into the rich biodiversity of the Victorian era and beyond.
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