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Metal Print : Tribute - Oracles
Metal Prints from Mary Evans Picture Library
Tribute - Oracles
Tribute - Oracles. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. The artwork (for this book) was credited to Molly McArthur. Date: 1925
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Media ID 18527806
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Florence Macarthur Mcarthur Molly Monochrome Monotone Oracles Tribute Woodcut 1925
16"x20" (51x41cm) Metal Print
Experience the captivating art of Florence Mary Anderson / Molly MacArthur with our Media Storehouse Metal Prints featuring her iconic work "Tribute - Oracles." This exquisite illustration, sourced from Rights Managed at Mary Evans Prints Online, showcases Anderson's unique style from the mid-1920s. Our Metal Prints transform your favorite art into stunning, vibrant pieces that add depth and dimension to any space. Embrace the allure of "Tribute - Oracles" and bring this timeless masterpiece into your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut print, titled "Tribute - Oracles," showcases the extraordinary artistic transformation of Florence Mary Anderson, also known as Molly MacArthur, during the 1920s. Known initially for her highly decorative fairy art, Anderson moved towards a more refined and distinctly oriental style, producing monotone woodcuts that showcased her exceptional talent. Created in 1925, this artwork represents a pivotal moment in Anderson's career. The image, credited to Molly McArthur, is a testament to her ability to adapt and evolve as an artist. The monochrome palette adds an air of mystery and intrigue, while the intricate details and delicate lines showcase her mastery of the woodcut medium. The title "Tribute - Oracles" adds an enigmatic quality to the piece, suggesting a connection to the mystical and the unknown. The oracles could represent the inner workings of the human mind, or perhaps a nod to the spiritual and intuitive aspects of life. Regardless of interpretation, this woodcut print is a stunning example of Anderson's artistic prowess during the 1920s. Anderson's transition from her earlier fairy art to this more subdued, oriental-inspired style was a bold move that set her apart from her contemporaries. This print is a testament to her artistic versatility and her ability to captivate audiences with her unique vision. Dating back to 1925, "Tribute - Oracles" remains a timeless work of art that continues to inspire and intrigue art lovers and collectors alike.
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