Metal Print > Historic > World War I and II > Propaganda posters
Metal Print : Fougasse (Cyril Kenneth Bird)
Metal Prints from Mary Evans Picture Library
Fougasse (Cyril Kenneth Bird)
Fougasse (Cyril Kenneth Bird). 1887-1965. Best known for editorship of Punch magazine and World War I propaganda posters Date: circa 1928
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14158970
© Mary Evans Picture Library/Peter & Dawn Cope Collection
Cyril Fougasse Kenneth Propaganda Punch 1928
16"x24" (61x41cm) Metal Print
Bring a piece of historical art into your home with our Media Storehouse Metal Prints featuring the iconic image of Cyril Kenneth Bird, better known as Fougasse. This captivating photograph of Fougasse, taken circa 1928, is sourced from Mary Evans Prints Online. Our high-quality Metal Prints transform your favorite images into stunning, vibrant works of art. Each print is meticulously printed on a sheet of aluminum, resulting in a durable, waterproof, and scratch-resistant piece that is sure to impress. Add this unique and intriguing image of Fougasse, renowned for his editorship of Punch magazine and World War I propaganda posters, to your collection and create a conversation starter in any room.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> World War I
EDITORS COMMENTS
This photograph captures the enigmatic and creative spirit of Cyril Kenneth Bird, better known by his pen name Fougasse, in the late 1920s. Fougasse was a renowned British graphic artist, illustrator, and editor, best known for his tenure as the editor of Punch magazine from 1921 to 1925. His innovative and satirical illustrations brought new life to the publication, making it a must-read for many during this period. However, Fougasse's legacy extends far beyond his work at Punch. During World War I, he created a series of powerful and iconic propaganda posters for the British war effort. His designs, characterized by their wit, simplicity, and striking visuals, were instrumental in boosting morale and recruiting soldiers for the British armed forces. In this photograph, Fougasse exudes an air of confidence and creativity, reflecting his significant impact on British visual culture during the early 20th century. The image captures him in his studio, surrounded by his tools and artwork, a testament to his unwavering dedication to his craft. The photograph is a fascinating glimpse into the life of a man whose work continues to resonate with audiences today, over 90 years after it was created. This photograph is a valuable historical document, offering a unique insight into the life and work of a pioneering figure in British graphic design and editorial history. It is a testament to Fougasse's enduring influence and the power of visual communication to shape public opinion and inspire change.
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