Metal Print : Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
Metal Prints from Mary Evans Picture Library
Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮
Igarassu, Olinda and Recife. 1729. BRAZIL. Iguara絮 Convent of Saint Anthony. Colonial baroque. Oil on canvas
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8279023
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10685065
Anthony Baroque Brasil Brazil Brazilian Brazilians Convent Day Light Recife Sun Light Olinda Paran
16"x24" (61x41cm) Metal Print
Discover the rich history and vibrant culture of Brazil with our stunning Metal Prints featuring the iconic Iguaraí, Olinda, and Recife. This captivating trio of images, sourced from Mary Evans Prints Online, showcases the colonial baroque beauty of Iguaraí's Convent of Saint Anthony in 1729. Each Metal Print is expertly crafted to bring out the intricate details and vibrant colors of these timeless masterpieces, transporting you back to the heart of Brazil's colonial past. Add a touch of history and artistry to your home or office with our high-quality, long-lasting Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
Iguaraíde: A Triangular Connection of Igarassu, Olinda, and Recife in Colonial Brazil, 1729 This evocative oil on canvas painting, titled 'Iguaraíde' (Igarassu, Olinda and Recife. 1729. BRAZIL. Iguaraíde; Convent of Saint Anthony), captures a significant moment in the history of Brazil's colonial past. The image showcases the picturesque exteriors of the Convent of Saint Anthony in Olinda, the bustling port city of Recife, and the tranquil village of Igarassu, bathed in the warm, golden light of a Brazilian day. The painting, a testament to the colonial Baroque style, transports us back to the 18th century, where the three settlements stood as integral parts of the Brazilian landscape. The Convent of Saint Anthony, with its intricate facade and ornate details, stands proudly in Olinda, a city known for its rich cultural heritage and vibrant history. The port city of Recife, with its bustling markets and diverse population, is a hub of commerce and trade, while the quaint village of Igarassu, nestled between the rivers Paraná and Capibaribe, offers a serene contrast to the urban chaos. The warm, inviting colors of the painting, the play of sunlight on the buildings, and the meticulous attention to detail all contribute to a captivating representation of colonial Brazil. The painting, a masterpiece of Brazilian art, offers a glimpse into the past, allowing us to appreciate the beauty and complexity of the country's rich history.
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