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Metal Print : IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus



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IRAN. Naqsh-e Rustam. The Roman emperor Valerianus

IRAN. Naqsh-e Rustam. The Roman emperor Valerianus kneeling before Shapur I after the battle of Edessa (260). Persian art. Sasanian art. Relief

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14184534

© Iberfoto/Mary Evans

Asians Edessa Fars Figures Iran Iranian Iranians Islamic Kneeling Naqsh Persian Persians Rustam Sculptures Statues Masculine Persons Sasanian Sassanian Sassanid


20"x24" (61x51cm) Metal Print

Experience the rich history and cultural beauty of IRAN with our stunning Media Storehouse Metal Prints. This captivating image showcases the famous Naqsh-e Rustam site, where the Roman emperor Valerianus is depicted kneeling before Shapur I after the Battle of Edessa (260 AD). Sourced from Mary Evans Prints Online, this exquisite relief is brought to life through our premium metal print technology, offering vibrant colors and exceptional detail. Add a touch of ancient history and world art to your home or office with this beautiful and unique piece.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 60.9cm (20" x 24")

Estimated Product Size is 51.4cm x 61.5cm (20.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Roman Roman

> Arts > Sculpture

> Asia > Iran > Related Images

> Historic > Battles > Related Images


EDITORS COMMENTS
Naqsh-e Rustam, located in the Marvdasht region of Fars, Iran, is an archaeological site renowned for its collection of Sasanian rock reliefs. Among these masterpieces is the intriguing scene of the Roman Emperor Valerianus (r. 253-260 AD) in submission before Shapur I (r. 240-272 AD), following the Battle of Edessa in 260 AD. This powerful image, showcasing Persian art at its finest, is a testament to the cultural exchange and political dynamics between the Roman and Sasanian Empires during antiquity. Valerianus, depicted as a humbled figure, is shown on one knee, while Shapur I, the victorious king, sits majestically on his throne. The Roman emperor's submissive posture symbolizes the defeat of the Roman forces and the submission of Valerianus to Shapur I. The relief also features two horses, one each for the emperors, emphasizing their royal status and power. The square, colorful relief, with its meticulous details, is a prime example of Sasanian art. The figures are portrayed with great precision and realism, reflecting the advanced artistic skills of the Sasanian artists. This scene, which depicts a significant moment in Asian history, has captivated scholars and art enthusiasts for centuries, offering valuable insights into the rich cultural heritage of Iran and the broader Middle East. The intricate relief, with its round edges and vibrant colors, stands as a testament to the artistic achievements of the Sasanian civilization and the enduring legacy of its art.

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