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Metal Print : Jeeves and Wooster
Metal Prints from Mary Evans Picture Library
Jeeves and Wooster
In Thank You Jeeves!, Jeeves gives notice when Bertie Wooster, his employer, insists on playing the banjolele
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 572524
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10006098
1933 Arm Chair Banjo Bertie Butler Carpet Comedy Employer Fire Place Giving Instrument Jeeves Leaning Manservant Mantelpiece Notice Resign Resignation Servant Servants Wodehouse Wooster Musical Resigning
16"x20" (51x41cm) Metal Print
Bring a touch of classic British humor into your home with our Media Storehouse Metal Prints featuring the iconic duo, Jeeves and Wooster, from Mary Evans Picture Library. In this charming image from 'Thank You, Jeeves!' Jeeves gives a disapproving look as Bertie Wooster insists on playing his banjolele. Our high-quality metal prints are not only eye-catching but also durable, adding a modern and stylish twist to your decor. Order yours today and enjoy a daily dose of wit and sophistication!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this delightful image from the 1930s, Jeeves, the incomparable butler played by Reginald Marsh, gives notice to his employer, Bertie Wooster, portrayed by Brian Rix, in the popular British comedy "Thank You, Jeeves!" The scene takes place in the cozy interior of Wooster's London flat, with its plush armchair, orange-toned carpet, and ornate mantelpiece adorned with a fireplace and various knick-knacks. The atmosphere is light and humorous, as Jeeves, dressed in his formal livery, delivers his resignation letter to Bertie, who is seated in an armchair, a banjolele in hand. The banjolele, a small, portable instrument that combines elements of the banjo and the ukulele, was a popular novelty instrument during the 1930s. However, Bertie's insistence on playing it in the presence of his valued servant has proven to be the last straw for Jeeves, who has had enough of his employer's frivolous antics. The photograph, taken from Mary Evans Picture Library, captures a moment of historical significance in the annals of English literature and comedy. "Thank You, Jeeves!" is a collection of short stories by P.G. Wodehouse, first published in 1933, which chronicles the misadventures of Bertie Wooster and his loyal butler, Jeeves. The stories are known for their witty dialogue, social satire, and comedic situations, and have become enduring classics of English literature. This image offers a glimpse into the world of Jeeves and Wooster, a world of humor, music, and the intricacies of servant-master relationships in the 1930s. It is a reminder of a bygone era, a time when the art of storytelling was at its finest, and the bond between a man and his servant was a source of endless amusement and fascination.
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