Metal Print : Man alive and in spirit form
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Metal Prints from Mary Evans Picture Library
Man alive and in spirit form
From: The Case for Spirit Photography, Sir Arthur Conan Doyle, Hutchinson, 1922 Photograph showing Man alive and in spirit form. Apparition ghost, phantom, spectre. Date: 1922
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14264699
© Mary Evans Picture Library/Harry Price
Alive Apparition Arthur Case Conan Doyle Form From Ghost Hutchinson Phantom Photograph Spectre Spirit 1922
16"x20" (51x41cm) Metal Print
Experience the intrigue and mystery of the spiritual world with our exclusive Media Storehouse Metal Prints featuring an extraordinary image from The Case for Spirit Photography by Sir Arthur Conan Doyle. This captivating photograph, sourced from Mary Evans Prints Online, captures an apparition of a man in both alive and spirit form, as documented in Doyle's seminal work on spiritualism. Bring the ethereal and enigmatic essence of this ghostly apparition into your home or office with our premium metal print, expertly crafted to showcase the intricate details and vibrant colors of this unique and thought-provoking image. Elevate your space with a conversation starter that transcends the ordinary and invites the extraordinary.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In the late 19th and early 20th centuries, the phenomenon of spirit photography captured the imagination of the public, with many believing that these images provided evidence of life after death. One such photograph, taken in 1922 and published in Sir Arthur Conan Doyle's book "The Case for Spirit Photography," purportedly shows a man in both alive and spirit form. The image, published by Hutchinson, depicts a man seated in a chair, dressed in a suit and holding a cane. Above him, a ghostly figure of a man with a top hat and a long beard appears, seemingly hovering in the air. The man in the chair, identified as the sitter, is reported to have been alive at the time the photograph was taken. Sir Arthur Conan Doyle, a renowned Scottish author and skeptic turned believer in spiritualism, was a vocal advocate for spirit photography. He believed that these images provided proof of the continuity of consciousness beyond death. In "The Case for Spirit Photography," he presented numerous examples of such photographs, including this one, as evidence. Despite the widespread interest and belief in spirit photography during this time, the authenticity of these images has been a subject of much debate. Critics argue that many of these photographs were the result of double exposure, trick photography, or other forms of manipulation. However, believers maintain that these images represent genuine evidence of the existence of spirits. Regardless of one's beliefs, this photograph remains an intriguing and enigmatic image from a time when the boundaries between the physical and spiritual worlds seemed to blur, and the possibility of life after death was a topic of great fascination and debate.
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