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Metal Print : Masaccio / Tommaso Guidi
Metal Prints from Mary Evans Picture Library
Masaccio / Tommaso Guidi
TOMMASO DI GIOVANNI DI SIMONE GUIDI known as MASACCIO Italian painter of the Florentine school
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 620741
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10074227
1401 1428 Curly Florentine Giovanni Masaccio Oval Painter Simone Tommaso Guidi
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of art history into your home with our Masaccio Metal Prints from the Media Storehouse collection, featuring this iconic image of Tommaso di Giovanni di Simone Guidi, better known as Masaccio, by Mary Evans Picture Library from Mary Evans Prints Online. Each print is meticulously crafted on high-quality aluminum, ensuring vibrant colors and exceptional durability. The sleek, modern design adds a contemporary twist to this classic masterpiece, making it a stunning addition to any space. Embrace the rich history of the Florentine school with our Masaccio Metal Prints - a fusion of art and technology for your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This portrait depicts Tommaso di Giovanni di Simone Guidi, better known as Masaccio, a renowned Italian painter of the Florentine School during the Early Renaissance period. Masaccio was born in San Giovanni Valdarno, Tuscany, in 1401. His given name, Tommaso, means "twin" in Italian, reflecting his birth as one of a set of twins. Masaccio's distinctive curly hair and fur-trimmed collar are evident in this oval-shaped portrait, which adds to his regal and enigmatic appearance. Masaccio's artistic career began in the late 1420s, and he is considered one of the pioneers of perspective in European painting. His masterpiece, the Holy Trinity fresco in the Brancacci Chapel in Florence, is a testament to his groundbreaking techniques and innovative approach to representation. Masaccio's influence extended beyond his native Italy, shaping the development of Western art for centuries to come. The exact date of this portrait is unknown, but it is believed to have been created towards the end of Masaccio's life, around 1428. The portrait's historical significance lies in its representation of Masaccio as a respected and accomplished artist, showcasing the esteem in which he was held during his time. The portrait's intricate details, such as the delicate folds of his collar and the texture of his curly hair, provide a glimpse into the artistry and skill of the painter himself. Masaccio's legacy continues to inspire artists and art enthusiasts alike, and this portrait serves as a reminder of the profound impact he had on the world of art during the Renaissance era.
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