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Metal Print : Accepting the challenge 1387
Metal Prints from Mary Evans Picture Library
Accepting the challenge 1387
King Richard II overseeing an Appeal of Treason. This process was used three times during Richards reign, the first one being in November 1387, when the Duke of Gloucester, the Earl of Arundel and the Earl of Warwick accused five of the kings favourites, including Edward De Vere, Nicholas Brembre and the Archbishop of York, of wrongdoing. Date: November 1387
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Media ID 23077018
© Mary Evans Picture Library
1387 Appeal Challenge Chivalry Courtiers Floor Gauntlet Gloucester Glove Overseeing Process Throne Throwing Tiled Tiles Tiling Treason 14th
16"x20" (51x41cm) Metal Print
Experience history come to life with our Media Storehouse Metal Prints featuring "Accepting the Challenge 1387" by Rights Managed from Mary Evans Prints Online. This captivating image depicts King Richard II overseeing an Appeal of Treason in November 1387, during which the Duke of Gloucester was put on trial. Our high-quality metal prints are not just beautiful home decor, they are a testament to history. Each print is meticulously printed on aluminum sheets using a dye sublimation process, ensuring vibrant colors and long-lasting durability. Add a touch of history and art to your space with this stunning Metal Print from Media Storehouse.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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This evocative image captures the intense atmosphere of a pivotal moment in English history during the reign of King Richard II. Dated November 1387, this print depicts Richard II seated on his ornate throne, his regal crown resting on the floor before him, as he presides over an Appeal of Treason. The process, used three times during Richard's reign, was initiated by the Duke of Gloucester, the Earl of Arundel, and the Earl of Warwick, who accused five of the king's favourites, including Edward De Vere, Nicholas Brembre, and the Archbishop of York, of wrongdoing. The scene exudes an air of chivalry and nobility, with the king's gauntlet lying on the tiled floor, ready for the challenge to be thrown down. The intricately tiled floor, reminiscent of the time's grandeur and opulence, reflects the seriousness of the proceedings. The duke, dressed in his finest robes and wearing a fur-trimmed mantle, stands before the king, his expression determined and resolute. The other accusers, also dressed in rich clothing, flank the duke, their gazes fixed on the king. Richard II, with a calm and contemplative expression, listens intently to the accusations, his hands folded in front of him. The weight of the situation is evident on his face, as he considers the gravity of the allegations against his favourites. The intricate details of the print, from the intricately designed throne to the ornate clothing and accessories, transport us back to the 14th century, offering a glimpse into the courtly world of medieval England.
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