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Metal Print : Bystander cover - Marchioness of Headfort
Metal Prints from Mary Evans Picture Library
Bystander cover - Marchioness of Headfort
The Marchioness of Headfort, formerly known to playgoers as Miss Rose (Rosie) Boote of the Gaiety Theatre, London. She married the Marquess in April 1901, and her son became the Earl of Bective. One of a number of stage actresses during the Edwardian era who married into the peerage. Pictured on the front cover of The Bystander at the time her daughter, Lady Millicent Taylour married Henry Tiarks at Westminster Abbey. Date: 1930
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23268658
© Illustrated London News Ltd/Mary Evans
Actresses Aristocracy Boote Bystander Covers Gaiety Headfort Jul19 Marchioness Rosie Shawl
16"x24" (61x41cm) Metal Print
Bring history to life with our exquisite Media Storehouse Metal Prints. Feast your eyes on this captivating image of the Marchioness of Headfort, formerly known as Rosie Boote, taken from Mary Evans Prints Online. This timeless photograph, rights-managed by Rights Managed, showcases the elegance and grace of the Marchioness in a stunning new light. Our high-quality metal prints are not just a picture; they are a work of art. The vibrant colors and exceptional detail are sure to impress, making this a perfect addition to any home or office. Order your Metal Print of the Marchioness of Headfort today and add a touch of history to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This photograph, featured on the cover of The Bystander magazine in 1930, showcases the elegant and graceful Marchioness of Headfort, formerly known as Rosie Boote, a beloved actress from the Gaiety Theatre in London. Rosie made her mark on the Edwardian stage, enchanting audiences with her charisma and talent. In an unexpected turn of events, she married the Marquess of Headfort in April 1901, becoming a member of the aristocracy. The Marchioness's life took another exciting turn when her daughter, Lady Millicent Taylour, married Henry Tiarks at the revered Westminster Abbey. This joyous occasion was commemorated on the front cover of The Bystander, highlighting the connection between the worlds of theatre and aristocracy. Dressed in an elegant shawl, the Marchioness exudes an air of sophistication and poise, reflecting the refined elegance of the era. This evocative portrait is a testament to the extraordinary life of a woman who defied expectations and left an indelible mark on both the stage and the aristocracy. The Bystander's cover, with its striking image of the Marchioness, offers a glimpse into the past, transporting us to a time of elegance, glamour, and the intersection of two seemingly disparate worlds. This photograph is a treasure trove of history, offering a unique perspective on the lives of stage actresses during the Edwardian era who married into the peerage.
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