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Metal Print : Cartoon, Used Up
Metal Prints from Mary Evans Picture Library
Cartoon, Used Up
Cartoon - Used Up - a comment on Henry Irving and the so-called legitimate theatre.
1884
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23051708
© Mary Evans Picture Library
1884 Annual Bryan Comment Entracte Irving Legitimate Manager Managers
16"x20" (51x41cm) Metal Print
Introducing the latest addition to our Media Storehouse Metal Print collection: "Used Up" by Mary Evans Picture Library. This captivating cartoon, created in 1884, offers a humorous commentary on the debate surrounding Henry Irving and the legitimacy of theatre during that era. Each Metal Print is meticulously crafted with vibrant colors and exceptional detail, ensuring your chosen artwork stands out in any setting. With a sleek, modern design and long-lasting durability, these Metal Prints are the perfect way to bring history and humor into your home or office. Experience the unique charm of "Used Up" like never before with Media Storehouse's high-quality Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Used Up: A Comment on Henry Irving and the So-called Legitimate Theatre (Cartoon - Mary Evans Picture Library, 1884) This intriguing cartoon, titled "Used Up," was published in the Annual for 1884, offering a sharp commentary on the state of the "legitimate theatre" during the Victorian era. The cartoon, created by Alfred Bryan, depicts a weary-looking Henry Irving, the renowned manager of the Lyceum Theatre in London, being carried offstage by two stagehands. The caption reads, "The Entracte is over. The Manager is 'Used Up'." During the 1880s, Irving was a dominant figure in the British theatre scene, known for his exceptional acting abilities and innovative productions. However, the term "legitimate theatre" was used to distinguish it from the popular, often more financially successful, variety and music hall performances. This distinction created a sense of hierarchy and elitism within the theatre world, with the legitimate theatre being seen as the pinnacle of artistic achievement. The cartoon's title and image suggest that Irving, despite his talent and success, has been "used up" by the demands of managing a legitimate theatre. The implication is that the relentless pursuit of artistic excellence and the financial pressures of running a theatre have left Irving drained and spent. The cartoon serves as a commentary on the sacrifices and challenges faced by theatre managers during this era, as they strived to maintain the prestige of legitimate theatre while also ensuring its financial viability. This cartoon offers a unique perspective on the behind-the-scenes world of Victorian theatre and the complex dynamics between art, commerce, and the relentless pursuit of success.
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