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Metal Print : Cartoon, The Working-Man, Royal Westminster Exhibition
Metal Prints from Mary Evans Picture Library
Cartoon, The Working-Man, Royal Westminster Exhibition
Cartoon, The Working-Man, from the Royal Westminster Exhibition. A satire on the Royal Academy Exhibition, where many paintings depicted working men. The four spoof portraits here imagine how four different politicians would portray the working man -- for John Bright he is pure and angelic, for Edward Horsman he is a threat, both to the monarchy and to himself, for W E Forster he is a studious self-improver, and for Robert Lowe he is a passive drunkard. Date: 1865
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Media ID 23358574
© Mary Evans Picture Library
1865 Attitude Comment Conservative Depiction Idealised Idealism Liberal Negative Opinion Politicians Positive Prejudice Progressive Reactionary Satire Satirical
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Print featuring the iconic cartoon, "The Working-Man" from the Royal Westminster Exhibition. This captivating piece, sourced from Mary Evans Prints Online, offers a satirical take on the traditional Royal Academy Exhibition. With its intricate details and bold lines, this cartoon comes to life in a new and vibrant way on our high-quality metal print. Each print is meticulously crafted using a unique process that infuses the image into a sheet of aluminum, resulting in a stunning, long-lasting piece that adds depth and dimension to any space. Elevate your home or office decor with this thought-provoking and visually striking addition to your collection.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cartoon, titled "The Working-Man," is a satirical commentary on the Royal Academy Exhibition of 1865, where numerous paintings depicted working men. In this intriguing print, four spoof portraits offer a humorous take on how four prominent politicians of the time would depict the working man. John Bright's portrait presents the working man in a pure and angelic light, reflecting his liberal and progressive views. Edward Horsman, on the other hand, portrays the working man as a threat, both to the monarchy and to himself, reflecting his reactionary attitude and prejudice. William E. Forster's depiction of the working man is that of a studious self-improver, reflecting his belief in the importance of education and personal growth. Robert Lowe, however, portrays the working man as a passive drunkard, reflecting his conservative views and negative opinion of the working class. This cartoon, created in 1865 during the Victorian era, offers a fascinating insight into the political attitudes and opinions of the time towards the working class. The idealized and negative depictions of the working man in the print serve as a reminder of the complex and often contradictory views that existed during the 19th century regarding the role and worth of the working class in society.
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