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Metal Print : Cartoons, The Great Chartist Demonstration
Metal Prints from Mary Evans Picture Library
Cartoons, The Great Chartist Demonstration
Cartoons, The Great Chartist Demonstration -- No. IX, The Beginning and the End.
1848
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23275596
© Mary Evans Picture Library
1840s 1848 Beginning Campaign Chartism Chartist Chartists Comment Conflicts Democracy Demonstration Ridicule Satire Satirical Violence
16"x20" (51x41cm) Metal Print
Bring a piece of historical art and satire into your home with our Media Storehouse Metal Prints featuring Mary Evans Picture Library's iconic cartoon, "The Great Chartist Demonstration -- No. IX, The Beginning and the End" (1848). This captivating cartoon, showcasing the famous Chartist Demonstration of 1848, is now available in a stunning metal print format. The high-quality print is beautifully transferred onto a sturdy metal sheet, giving it a unique and modern look. The vibrant colors and sharp details pop against the sleek metal background, making this print a standout addition to any wall. Relive the rich history of the Chartist movement and add a touch of wit and charm to your decor with this exceptional piece from Media Storehouse and Mary Evans Prints Online.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This cartoon, titled "Cartoons, The Great Chartist Demonstration -- No. IX, The Beginning and the End.
1848" by an anonymous artist, presents a satirical commentary on the tumultuous Chartist movement in Britain during the 1840s. The early Victorian era, marked by political and social upheaval, saw the Chartists, a working-class political movement, campaign for democratic reforms, including universal suffrage and annual parliaments. The cartoon depicts a chaotic scene of the Great Chartist Demonstration, with a large crowd of people, mostly working-class men, gathered in the streets, waving banners and carrying various signs that read "Universal Suffrage," "No Corn Laws," and "No Taxation Without Representation." The police, represented as heavy-handed and violent, are shown charging at the crowd with truncheons, creating a sense of conflict and disorder. At the center of the image, a man, symbolizing the beginning of the Chartist movement, is shown addressing the crowd with a passionate speech, while at the end, a man representing the movement's demise is shown being led away in handcuffs by the police. The cartoon's title, "The Beginning and the End," highlights the futility of the Chartist cause and the violent suppression of their demands for political reform. Satire and humor were common tools used to comment on the political conflicts of the time, and this cartoon is no exception. The exaggerated depiction of the police and the chaotic scene serve to ridicule the situation and highlight the tensions between the working class and the ruling elite. Overall, this powerful image provides a unique perspective on the political climate of the 1840s and the struggles for democracy and reform in Britain.
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