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Metal Print : Colonel Barker - Valerie Smith Page from The Graphic reporting on the case of Colonel
Metal Prints from Mary Evans Picture Library
Colonel Barker - Valerie Smith Page from The Graphic reporting on the case of Colonel
Page from The Graphic reporting on the case of Colonel Barker (aka John Hill and Geoffrey Norton), who was born Lilias Irma Valerie Barker in 1895. Barker married and had children but later lived life as a man and as an ex-army officer. Date: 1929
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23400080
© Illustrated London News Ltd/Mary Evans Illustrated London News Ltd/Mary Evans
Barker Colonel Dressed Dressing Gender Geoffrey Impersonation Norton Nov20 Pretending Valerie 1929 Lgbt Lgbtq Smith Transgender
16"x24" (61x41cm) Metal Print
Bring history to life with our stunning Media Storehouse Metal Prints featuring this intriguing image from The Graphic. Reporting on the sensational case of Colonel Barker, also known as John Hill and Geoffrey Norton, this vintage page from The Graphic, now available as a Metal Print, showcases the captivating story of Lilias Irma Valerie Barker's transformation into one of the most enigmatic figures in British military history. Each Metal Print is crafted with precision and care, using high-quality materials to bring out the rich details and vibrant colors of the original image. Hang this unique piece in your home or office as a conversation starter and a testament to the intrigue of the past.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Colonel Barker: The Extraordinary Life of Valerie Smith, a Pioneer in Gender Identity Deception [Image: A photograph of Valerie Smith, dressed as a man and identified as Colonel Barker, standing in front of a fireplace, holding a pipe in one hand and a newspaper in the other. The caption reads, "Colonel Barker: The Latest Impersonation." The photograph appears on the front cover of The Graphic, dated November 2, 1929.] Valerie Smith, born Lilias Irma Barker in 1895, lived a life full of intrigue and deception. In the 1920s, she became known as Colonel Barker, a man who claimed to be an ex-army officer and a wealthy businessman. However, the truth was far more complex. Barker had married and had children, but in later years, she chose to live her life as a man. She adopted the identities of John Hill and Geoffrey Norton, and dressed as a man in public. Her deception was so convincing that she managed to fool many people, including the press. The photograph above, taken in 1929, shows Valerie Smith as Colonel Barker, standing in front of a fireplace and holding a pipe and a newspaper. The caption reads, "Colonel Barker: The Latest Impersonation." The photograph appeared on the front cover of The Graphic, a popular British weekly magazine, adding to Barker's notoriety. Barker's gender identity and deception were ahead of their time, and her story is a fascinating glimpse into the complexities of gender and identity in the 1920s. Her life challenges our assumptions about gender roles and expectations, and she remains an intriguing figure in the history of transgender and LGBTQ+ experiences.
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