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Metal Print : Cover of Dance Magazine, November 1930
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Cover of Dance Magazine, November 1930
Cover of Dance Magazine, November 1930, perhaps representing the tap dancer Bill Robinson (Boojangles). Sketched by Jose Manuel Acosta Date: 1930
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23420706
© Mary Evans / Jazz Age Club Collection
Acosta Bill Dancer Harlem Jose Manuel Representing Robinson Sketched Deco
16"x20" (51x41cm) Metal Print
Bring a piece of dance history into your home with our Media Storehouse Metal Prints. This stunning image, taken from the cover of Dance Magazine in November 1930, showcases the iconic tap dancer Bill Robinson, also known as "Boojangles," skillfully captured in a sketch by Jose Manuel Acosta. Our high-quality metal prints are not just beautiful decor, they're a conversation starter and a tribute to the rich history of dance. Order yours today and experience the vibrant colors and unmatched detail that only a metal print can provide.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cover of Dance Magazine from November 1930 showcases a stunning sketch by Jose Manuel Acosta, featuring the legendary tap dancer Bill "Boojangles" Robinson. The image, which represents a pivotal moment in the history of jazz dance and African American entertainment during the 1930s, or the Roaring Twenties, is a testament to the artistry and innovation of the era. Boojangles, born in South Carolina in 1878, was a groundbreaking figure in the world of tap dance. His unique style, which blended rhythmic precision, grace, and showmanship, captivated audiences both on Broadway and in the Harlem nightclubs. Acosta's sketch beautifully captures the essence of Robinson's charisma and energy, with the dancer mid-step, his feet flying in a flurry of intricate tap patterns. The cover design, with its Art Deco influences and bold typography, reflects the visual aesthetics of the time. The use of black and white contrasts adds to the overall impact, highlighting the dynamic interplay between light and shadow. The image is a reminder of the rich cultural heritage and artistic achievements of the 1930s, a decade that saw the rise of swing music, groundbreaking films, and innovative dance styles. This sketch by Jose Manuel Acosta is not only a valuable historical document but also a work of art in its own right. It invites us to appreciate the beauty and complexity of tap dance and the enduring influence of Bill "Boojangles" Robinson on the world of entertainment. The cover of Dance Magazine from November 1930 is a testament to the power of dance to captivate, inspire, and bring people together.
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