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Metal Print : Guy Fawkes in Effigy, Bartholomews Hospital
Metal Prints from Mary Evans Picture Library
Guy Fawkes in Effigy, Bartholomews Hospital
Guy Fawkes in Effigy, Bartholomews Hospital and Smithfield Market. Children begging with an effigy of Guy Fawkes on 5 November 39, men bringing a patient on a stretcher into St. Bartholomews Hospital 40 and drovers driving sheep into Smithfield Market 41. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23392128
© Florilegius
Bartholomews Bells Capital Carrier Clock Darton Dunstans Educational Effigy Fawkes Figures Geography Grinder Harvey Isaac Itinerant Jane Knife Legal Letter Maid Mail Office Peep Postman Romantic Scissors Servant Sharpen Sisters Stick Striking Taylor Tourist Trades Tradesman Woodblock Woodcut Childrens
16"x24" (61x41cm) Metal Print
Bring the historic spectacle of Guy Fawkes Night to your home with our stunning Metal Prints featuring 'Guy Fawkes in Effigy, Bartholomews Hospital' from Mary Evans Picture Library. This captivating image, taken from Mary Evans Prints Online, depicts the iconic Guy Fawkes effigy amidst the bustling scene of Smithfield Market and Bartholomew's Hospital on November 5, 1839. Witness the children begging with the effigy, and men bringing a patient into the hospital, all beautifully preserved in metallic brilliance. Elevate your interior design with this unique and intriguing piece of history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This woodcut engraving, titled 'Guy Fawkes in Effigy, Bartholomews Hospital and Smithfield Market,' is an intriguing snapshot of London life in the early 19th century, as depicted in the book 'City Scenes, or a Peep into London' by Ann and Jane Taylor. The sisters, who were renowned Romantic poets and writers of children's books, offer a vivid description of this bustling city scene. At the heart of the image, an effigy of Guy Fawkes is displayed, symbolizing the annual Bonfire Night celebrations commemorating the failed Gunpowder Plot of 1605. Children, dressed in rags, can be seen begging from passersby, clutching the Guy Fawkes effigy. In the background, men carry a patient on a stretcher into St. Bartholomew's Hospital, while in the foreground, drovers herd sheep into Smithfield Market. The engraving also captures the diverse trades and professions of the time, with a postman delivering mail, a carrier sharpening his knives, a clockmaker adjusting a clock, and a servant holding a stick to strike the bells of a nearby church. The legal and administrative sectors are also represented, with figures entering a law office and a temple. This intricate woodcut engraving, produced by Isaac Taylor, offers a fascinating glimpse into the daily life of London during the early 19th century. It serves as an educational and historical record, showcasing the city's rich tapestry of trades, professions, and traditions.
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