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Metal Print : King Charles II at a dance party during the Restoration
Metal Prints from Mary Evans Picture Library
King Charles II at a dance party during the Restoration
King Charles II at a dance party during the Restoration, circa 1660. A wild ball with dancing, music, card games, tobacco smoking, drinking, courtesans, and fops. Evening Party. Time of Charles II. Handcoloured steel engraving after an illustration by John Leech from Gilbert Abbott A Becketts Comic History of England, Bradbury, Agnew & Co. London, 1880
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23388424
© Florilegius
1690 Abbott Abeckett Boyne Colonialism Comical Crossing Deposed Drogheda Gilbert Horseback Humor Leech Protestant Restoration
16"x24" (61x41cm) Metal Print
Step back in time with our exquisite Media Storehouse Metal Prints featuring the iconic image of King Charles II from Mary Evans Picture Library. This captivating photograph, taken from Mary Evans Prints Online during the Restoration era, circa 1660, showcases a lively and festive scene of the monarch in the midst of a grand evening party. With music playing, card games, tobacco smoking, courtesans, and fops, this metal print brings the spirit of the Restoration era to life. Add a touch of history and elegance to your home or office with this stunning and intricately detailed metal print.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
King Charles II: A Night of Revelry and Delight at a Restoration Dance Party, Circa 1660 This handcoloured steel engraving, created by John Leech and published by Bradbury, Agnew & Co. in 1880, offers a glimpse into the opulent and lively world of King Charles II's Restoration court. The image depicts the monarch himself, resplendent in his regal attire, surrounded by a sea of merrymakers engaged in various pursuits. The scene is set in the grandeur of a Restoration-era ballroom, where the sound of music fills the air, and the scent of tobacco mingles with the sweet perfumes of the courtesans. Gentlemen, dressed in fashionable wigs and hats, engage in animated conversations over card games, while ladies, adorned in elegant gowns, flirtatiously bat their eyes at the fops and dandies who vie for their attention. King Charles II, depicted here in the midst of the festivities, stands out in his bold red coat and white breeches. His presence is a testament to the monarch's return to the throne in 1660, following the tumultuous years of the Commonwealth and Protectorate under Oliver Cromwell. The image serves as a stark contrast to the sombre and austere rule of the Puritans, offering instead a vision of hedonistic indulgence and joy. The king's victory at the Battle of the Boyne in July 1690, which secured his position as the monarch of England, Scotland, and Ireland, further solidified his reign and the restoration of the monarchy. This image, therefore, encapsulates the spirit of the Restoration era, a time of imperial expansion, colonialism, and the complex dynamics of Protestant and Catholic relations in England. Despite the caricatured and comical elements present in this engraving, it remains a fascinating and humorous window into the past, offering a glimpse into the lives of those who lived during the Restoration period.
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