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Metal Print : Two lovers in a parlour disturbed by prying maids
Metal Prints from Mary Evans Picture Library
Two lovers in a parlour disturbed by prying maids
Two lovers in a parlour disturbed by prying maids moving glasses in a cupboard. Miseries Domestic. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23389950
© Florilegius
Ackermann Alcoholism Angry Beresford Bottle Disturbed Etching Felicity Fight Georgian Human Husband Lovers Maids Miseries Parlour Regency Reverend Romance Rowlandson Satire Stag Violence Windowsill Conjugal Prying
16"x20" (51x41cm) Metal Print
Bask in the enchanting allure of love's secret moments with our exquisite Metal Prints featuring 'Miseries Domestic: Two Lovers in a Parlour Disturbed by Prying Maids' from Mary Evans Picture Library. This captivating handcoloured copperplate engraving, originally published in the 19th century, transports you to a time of romance and intrigue. The tender scene of two lovers in a quiet parlour is disrupted by the clandestine movements of inquisitive maids, adding an element of mystery and suspense. Our premium Metal Prints are known for their vibrant colours, stunning clarity, and durability, ensuring that this timeless work of art becomes a cherished addition to your home decor. Experience the magic of history and emotion with every glance.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Two Lovers in a Parlour Disturbed - A Scene of Domestic Unhappiness and Prying Maids
EDITORS COMMENTS
This handcoloured copperplate engraving, designed and etched by Thomas Rowlandson, is a poignant and satirical illustration from Reverend James Beresford's "Miseries of Human Life," published by Ackermann in 1808. The image captures a moment of tension and turmoil in a seemingly ordinary parlour setting. At the heart of the scene, two lovers are embracing on a worn-out sofa, their faces expressing deep emotion and longing. Their moment of conjugal felicity, however, is disrupted by the intrusion of two prying maids. One maid is moving glasses from a cupboard, her back turned to the lovers, while the other peers through the window, her gaze fixed on the couple. The husband, evidently angered by the interruption, stands up and grabs a mop, ready to defend his wife. A bottle of gin, half-empty, sits on the windowsill, a sign of the couple's struggle with alcoholism and the challenges they face in their marriage. The scene is filled with a sense of misery and domestic violence, as the lovers' moment of romance is shattered by the harsh realities of life. The title "Miseries of Human Life" underscores the satirical and critical tone of the illustration, which highlights the complexities and challenges of human relationships. Rowlandson's masterful use of handcolouring and intricate engraving techniques adds depth and texture to the image, making it a visually stunning and thought-provoking work of art. The image is a powerful reminder of the complexities of human emotions and the fragility of love in the face of adversity. This engraving is a rare and valuable glimpse into the social and domestic life of the Regency and Georgian periods, and a testament to Rowlandson's skill as a satirical artist and caricaturist. It remains a captivating and thought-provoking work of art, over two centuries after its creation.
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