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Metal Print : Native American wigwam, Canadian house
Metal Prints from Mary Evans Picture Library
Native American wigwam, Canadian house
Structures of the Native Americans and Canadians. A Canadian loghouse at right and hut or Vig-Wam (wigwam) at left. Man smoking a pipe watching a pot on a fire, with fish and birds hanging above, musket at left. Couple with baby in papoose. Casa Canadiane. Handcoloured copperplate engraving after Giulio Ferrario in his Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837
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Media ID 23384856
© Florilegius
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16"x24" (61x41cm) Metal Print
Bring the rich history and culture of Native Americans and Canadians into your home with our stunning Metal Prints from Media Storehouse. This captivating image, sourced from Mary Evans Picture Library, showcases the unique architectural designs of a Canadian log house and a Native American wigwam. The intricate details of the structures are beautifully highlighted in this metal print, while a man in traditional attire sits by the fire, smoking a pipe and tending to his catch. Birds and fish hang above, adding to the authenticity of this captivating scene. Our high-quality Metal Prints are not only visually appealing but also durable and long-lasting, making them a great addition to any room in your house. Order yours today and bring a piece of history into your home.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This hand-colored copperplate engraving, titled "Casa Canadiane," showcases the striking contrast between the dwellings of Native Americans and Canadians during the early 19th century. On the left, a Native American wigwam, or wig-wam, is depicted with a man sitting inside, smoking a pipe and watching a pot simmering over an open fire. Above him, fish and birds are hung to dry. At the right, a Canadian loghouse stands proudly, with a couple and their baby in a papoose peering out of a window. The intricate details of this illustration transport us back in time, offering a glimpse into the daily lives of these distinct cultures. The wigwam, a traditional Native American structure, is characterized by its conical shape and wooden framework, covered with bark or mats. In contrast, the Canadian loghouse, with its rectangular shape and vertical logs, represents the European influence on Canadian architecture. The engraving, taken from Giulio Ferrario's "Costumes Ancient and Modern of the Peoples of the World," published in Florence in 1837, also highlights other elements of both cultures. For instance, the Native American interior includes a mount with a cross, possibly representing the influence of European missionaries. Meanwhile, the Canadian scene features a musket leaning against the wall, reflecting the military presence in the region. The illustration also includes elements of religious symbolism, such as a chapel with a Calvary mount and a pilgrim on the horizon, suggesting a connection to the Holy Land or the Ottoman Empire. Overall, this image offers a fascinating glimpse into the rich history and cultural diversity of North America during the 19th century.
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