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Metal Print : Pencarrow House, seat of Lady Mary Molesworth

Pencarrow House, seat of Lady Mary Molesworth



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Pencarrow House, seat of Lady Mary Molesworth

Pencarrow House, seat of Lady Mary Molesworth. Stately home in Cornwall. Handcoloured copperplate engraving from Rudolph Ackermanns Repository of Arts, London, 1826

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 23388976

© Florilegius

Ackermann Aristocracy Arts Bunny Elizabethan Gentry Landed Molesworth Nottinghamshire Regency Renovated Repository Rudolph Seat Stately Stockdale Bunney Parkyns Redbrick


16"x24" (61x41cm) Metal Print

Bring the elegance and history of Pencarrow House into your home with our Media Storehouse Metal Prints. Featuring this stunning handcoloured copperplate engraving of Pencarrow House, seat of Lady Mary Molesworth, from Mary Evans Picture Library, this print is a beautiful addition to any decor. The high-quality metal print process ensures vibrant colours and exceptional detail, making each print a unique work of art. Experience the rich history and timeless beauty of Pencarrow House with our durable and modern metal print. Order yours today and bring a piece of the past into your present.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images August 2021

> Animals > Mammals > Muridae > House Mouse

> Architecture > Styles > Elizabethan Architecture

> Architecture > Styles > Regency Architecture

> Architecture > Towers > Related Images

> Arts > Artists > A > Rudolph Ackermann

> Arts > Artists > P > George Parkyns

> Europe > United Kingdom > England > Cornwall > Related Images

> Europe > United Kingdom > England > Nottinghamshire > Bunny

> Europe > United Kingdom > England > Nottinghamshire > Related Images


EDITORS COMMENTS
Pencarrow House, seat of Lady Mary Molesworth, is a magnificent stately home nestled in the picturesque countryside of Cornwall. This hand-coloured copperplate engraving, published in Rudolph Ackermann's Repository of Arts in London in 1826, offers a captivating glimpse into the grandeur of this Elizabethan redbrick mansion. The image reveals the imposing presence of the house, with its tall, Tudor-style redbrick tower dominating the landscape. The tower, adorned with intricate stonework and crowned with a conical roof, stands proudly against the backdrop of rolling hills and lush greenery. The house is surrounded by expansive parklands, dotted with trees and winding paths, providing a serene and idyllic setting. Lady Mary Molesworth, the esteemed occupant of Pencarrow House, was the wife of Lord Rancliffe, and the residence had been in the family for generations. The house had undergone extensive renovations in the early 19th century, under the supervision of Thomas and George Parkyn and Stockdale. The renovations were carried out in the Regency style, which is evident in the elegant architecture and refined details of the engraving. The image also features a charming scene in the foreground, with a group of children playing around a rabbit, or 'bunny,' in the garden. The playful scene adds a touch of warmth and whimsy to the otherwise formal and grand image. Overall, this engraving provides a fascinating insight into the opulence and elegance of the landed gentry during the Regency era.

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