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Metal Print : Festival of Britain 1951 - The Skylon, South Bank, London

Festival of Britain 1951 - The Skylon, South Bank, London



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Festival of Britain 1951 - The Skylon, South Bank, London

Festival of Britain 1951 - The Skylon, South Bank, London. Designed by Hidalgo Moya, Philip Powell and Felix Samuely, and fabricated by Painter Brothers of Hereford, England Date: 1951

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 18952192

© Mary Evans Picture Library 2015

1951 Bank Designer Festival Futuristic Hidalgo Iconic Moya Philip Powell Sep18 Skylon Slender Designed


16"x24" (61x41cm) Metal Print

Experience the magic of the past with our Media Storehouse Metal Prints featuring the iconic image of Festival of Britain 1951 - The Skylon, South Bank, London. This stunning photograph, sourced from Mary Evans Prints Online, captures the essence of an era long gone. Designed by Hidalgo Moya, Philip Powell, and Felix Samuely, and fabricated by Painter Brothers of Hereford, England in 1951, The Skylon was a symbol of innovation and progress during the Festival of Britain. Our high-quality Metal Prints bring this historic moment to life, adding a touch of vintage charm to any space. With vibrant colors and sharp details, our Metal Prints are sure to make a statement in your home or office. Order yours today and relive the spirit of the Festival of Britain.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Mary Evans Prints Online > New Images from the Grenville Collins

> Architecture > Country > England

> Architecture > Related Images

> Europe > United Kingdom > England > Hereford

> Europe > United Kingdom > England > London > Events > Related Images

> Europe > United Kingdom > England > London > Museums > British Library

> Europe > United Kingdom > England > London > Related Images

> Europe > United Kingdom > England > Posters

> Europe > United Kingdom > England > Related Images


EDITORS COMMENTS
Festival of Britain 1951 - The Skylon, South Bank, London: A Symbol of Post-War Optimism and Modernity This iconic photograph captures the slender, cigar-shaped silhouette of The Skylon, a futuristic-looking structure that graced the South Bank of the River Thames during the Festival of Britain in 1951. Designed by the visionary team of Hidalgo Moya, Philip Powell, and Felix Samuely, and fabricated by Painter Brothers of Hereford, England, this tensegrity structure stood as a beacon of hope and progress following the hardships of World War II. The Skylon, with its sleek, vertical lines and futuristic appearance, was an instant hit among visitors to the Festival of Britain. Its innovative design, inspired by the latest advances in engineering and architecture, represented the optimism and forward-thinking spirit of the 1950s. The structure's tensegrity system, which uses both compression and tension to distribute weight and stress, was a groundbreaking engineering feat that showcased the potential for new materials and construction techniques. The Skylon's distinctive shape, reminiscent of a cigar or a rocket, was a nod to the space age and the excitement surrounding the possibilities of scientific and technological advancements. This image, taken during the Festival of Britain, captures the essence of a pivotal moment in British history, when the country looked towards the future with renewed confidence and determination. The Skylon may no longer stand on the South Bank, but its legacy continues to inspire generations of architects, engineers, and designers. This photograph serves as a reminder of a time when the future seemed limitless, and the possibilities for progress were endless.

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