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Metal Print : 10939487. Costume of the time of William the Conqueror from the Bayeux Tapestry.

10939487. Costume of the time of William the Conqueror from the Bayeux Tapestry.



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10939487. Costume of the time of William the Conqueror from the Bayeux Tapestry.

Costume of the time of William the Conqueror from the Bayeux Tapestry.. Handcolored engraving from Civil Costume of England from the Conquest to the Present Period drawn by Charles Martin and etched by Leopold Martin, London, Henry Bohn, 1842. The costumes were drawn from tapestries, monumental effigies, illuminated manuscripts and portraits. Charles and Leopold Martin were the sons of the romantic artist and mezzotint engraver John Martin (1789-1854)

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Media ID 20161191

© Florilegius / Bubblepunk

1789 1854 1842 Bayeux Bohn Conqueror Conquest Drawn Effigies Engraver Etched Illuminated Leopold Manuscripts Martin Mezzotint Monumental Present Romantic Sons Tapestries Tapestry


16"x20" (51x41cm) Metal Print

Step back in time with our exquisite Media Storehouse Metal Prints, featuring the captivating image of 10939487 from Mary Evans Prints Online. This handcolored engraving, titled 'Costume of the Time of William the Conqueror from the Bayeux Tapestry' drawn by Charles Martin, showcases intricate details of the era's grandeur. Our premium metal prints are not just a decorative piece, they're a journey through history. Experience the richness of the past in a contemporary way with our high-quality, vibrant, and long-lasting prints. Order yours today and bring history to life in your home or office.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")

Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


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> Mary Evans Prints Online > London

> Mary Evans Prints Online > New Images July 2020

> Arts > Artists > C > William Charles

> Arts > Artists > M > Charles Martin

> Arts > Artists > M > John Martin

> Arts > Artists > Related Images

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > United Kingdom > England > Posters


EDITORS COMMENTS
This handcolored engraving, titled "Costume of the Time of William the Conqueror" from the series "Civil Costume of England from the Conquest to the Present Period," was drawn by Charles Martin and etched by Leopold Martin. The Martin brothers were the sons of the renowned romantic artist and mezzotint engraver, John Martin (1789-1854). This particular costume design was inspired by the famous Bayeux Tapestry, which depicts the events leading up to the Norman Conquest of England in 1066. The tapestry, created between 1070 and 1080, is a significant historical artifact that provides valuable insights into the clothing and customs of the time. Charles and Leopold Martin meticulously studied various sources to create accurate and detailed representations of historical costumes for their series. In addition to the Bayeux Tapestry, they referenced monumental effigies, illuminated manuscripts, and portraits to ensure authenticity. Their work was published in London by Henry Bohn in 1842, showcasing the brothers' exceptional artistic abilities and their dedication to preserving the rich history of English costume. The engraving features William the Conqueror, dressed in the traditional Norman attire of a surcoat, tunic, and hose, adorned with intricate patterns and decorative elements. The detailed rendering of the costume, combined with the vibrant handcoloring, transports the viewer back to the time of the Norman Conquest and offers a fascinating glimpse into the fashion and style of the era.

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