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Metal Print : Hogarth, Four Times of the Day, Evening
Metal Prints from Mary Evans Picture Library
Hogarth, Four Times of the Day, Evening
Hogarth, Four Times of the Day, 3. Evening. The original Sadlers Wells Theatre building can be seen on the left. A cow is being milked, suggesting that it is around five oclock. It is a warm summers evening. A pregnant woman and her husband can be seen in the foreground. The horns behind the husbands head suggest that he has been cuckolded. Date: 1738
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Media ID 20141063
© Bubblepunk
1730s 1738 Behind Clock Cuckold Hogarth Horns Hugh Husband Milk Milked Milking Pregnant Sadlers Satire Satirical Times Warm Wells Cuckolded Myddleton
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of Hogarth's Four Times of the Day series into your home with our Media Storehouse Metal Prints. This exquisite Evening print, featuring Mary Evans Prints Online's image of William Hogarth's masterpiece, transports you back in time with its intricate details and vibrant colors. The Sadler's Wells Theatre building, a landmark of historical significance, graces the left side of the image, while a cow being milked in the foreground hints at the approaching evening hour. Our high-quality metal prints are not only visually stunning but also durable, ensuring your investment is a long-lasting addition to your decor. Experience the allure of the past with this captivating piece of art.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Hogarth's Four Times of the Day: An Evening Scene from the 1730s (William Hogarth, Four Times of the Day, 3. Evening, 1738) This print by the renowned British artist William Hogarth, titled "Four Times of the Day, Evening," offers a vivid snapshot of London life in the 1730s. In this particular scene, the original Sadler's Wells Theatre building can be identified on the left, adding an authentic touch to the bustling urban setting. As the sun begins to set and the warm summer evening unfolds, a cow is being milked in the foreground, suggesting that it is around five o'clock. The pregnant woman and her husband, seated on a bench, gaze intently at the milking scene. The husband's attention is drawn towards the cow, with a pair of horns visible behind his head - a subtle yet unmistakable sign of his potential infidelity, or cuckoldry. The atmosphere is warm and inviting, with children playing nearby and a dog lounging in the sun. A pub or inn can be seen in the background, with Sir Hugh Myddleton Water flowing through the scene, adding to the sense of community and daily life in 18th-century London. This satirical and humorous work by Hogarth, a master of British art, continues to captivate audiences with its intricate details and insightful commentary on human nature. The use of symbolism, such as the horns behind the husband's head, adds depth and complexity to the scene, making it a must-see for art enthusiasts and history buffs alike.
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