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Metal Print : Head of a Gin
Metal Prints from Mary Evans Picture Library
Head of a Gin
A portrait etching of an aboriginal woman, offensively labelled as a Gin, she is wearing a headband and smoking a pipe. Date: circa 1925
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 32244140
© CLM Archive Collection / Mary Evans
Aboriginal Benjamin Edwin Etching Headband Labelled Pipe 1925
16"x20" (51x41cm) Metal Print
Introducing the captivating Head of a Gin Metal Print from the March of the Women Collection, exclusively available at Media Storehouse through our partnership with Mary Evans Prints Online. This evocative portrait etching, circa 1925, showcases an Aboriginal woman's strength and resilience. Despite the outdated and offensive label, her regal bearing and traditional headband are a testament to her proud heritage. Bring this intriguing piece of history into your home or office with our high-quality metal print, which showcases vibrant colors and exceptional detail. Each print is meticulously crafted using premium aluminum sheets and advanced printing techniques, ensuring a stunning and long-lasting display. Order yours today and add a unique conversation starter to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This evocative portrait etching, titled "Head of a Gin," depicts an Aboriginal woman from circa 1925. The image, a poignant reminder of a bygone era, showcases the resilience and strength of Indigenous peoples in the face of colonialism and discrimination. The woman is depicted with a solemn expression, her dark, intense eyes gazing directly at the viewer. She wears a traditional headband adorned with feathers, and in her hand, she holds a pipe. The term "gin" is an offensive and derogatory label that was commonly used during this period to refer to Indigenous women who were perceived to be living outside of the dominant society's norms. This label was often applied to women who were seen as being involved in alcohol consumption, sex work, or other activities that challenged the colonial order. Despite the offensive label, this portrait etching offers a rare glimpse into the life of an Aboriginal woman during this time period. The intricately detailed etching captures the textures of her skin, the folds of her clothing, and the delicate features of her face. The image is a powerful reminder of the complex and nuanced lives of Indigenous peoples, and the need to recognize and respect their dignity and humanity. This portrait etching is part of the March of the Women Collection from Mary Evans Prints Online, and is attributed to the artist Benjamin Edwin Minns. The exact provenance of the image is not known, but it serves as a reminder of the important role that historical imagery can play in shaping our understanding of the past and informing our actions in the present.
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