Metal Print : Northern Tartar Manchu woman
Metal Prints from Mary Evans Picture Library
Northern Tartar Manchu woman
Northern Tartar Manchu woman, in a Chinese scolars studio. Calligraphy is on the wall, and she is standing in front of a desk, there is a vase with a landscape painting on it. From: An embassy from the East-India Company of the United Provinces, to the Grand Tartar Cham Emperor of China Date: 1655
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 7256867
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10587633
1655 Calligraphy Description Desks Foreign Goyer Jacob Keizer Netherlands Paintings Pieter Porcelain Relations Scholars Vases
16"x24" (61x41cm) Metal Print
Bring history and culture into your home with our exquisite Media Storehouse Metal Prints. Featuring this captivating image of a Northern Tartar Manchu woman, sourced from Mary Evans Prints Online, this print showcases the elegance and refinement of a Chinese scholar's studio. With intricate calligraphy adorning the walls and a vase displaying a stunning landscape painting, this timeless piece transports you to a bygone era. Our high-quality metal prints are not only visually stunning but also durable and long-lasting, making them a perfect addition to any room in your home or office.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 41.2cm x 61.5cm (16.2" x 24.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This image captures a Northern Tartar Manchu woman in the scholarly surroundings of a Chinese scholar's studio, circa 1655. The woman, dressed in traditional Manchu attire, stands confidently in front of a desk adorned with scholarly tools and a vase displaying a beautiful landscape painting. The serene landscape painting on the vase, a common motif in Chinese art, adds to the tranquil atmosphere of the studio. The backdrop of the image is adorned with calligraphy, a revered art form in Chinese culture. Calligraphy was considered a sign of literacy, intelligence, and refinement, and the presence of these works on the walls of the studio underscores the scholarly nature of the environment. The woman's presence in the studio suggests that she is a scholar or a patron of the arts herself. The Northern Tartar Manchus, who ruled China as the Qing Dynasty from 1644 to 1912, were known for their patronage of Chinese culture, including calligraphy and painting. This photograph is part of an embassy record from the Dutch East India Company to the Grand Tartar Cham Emperor of China, dated 1655. The embassy was led by Jacob Goyer and Pieter van Hoorn, and the photograph provides a rare glimpse into the cultural exchange between China and the Netherlands during this period. The image offers a fascinating insight into the lives of the Northern Tartar Manchu women, their engagement with Chinese culture, and the scholarly pursuits of the time.
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