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Metal Print : Nursery at Childrens Home, Ashley Down, Bristol
Metal Prints from Mary Evans Picture Library
Nursery at Childrens Home, Ashley Down, Bristol
Children and nurses at an unnamed orphanage or childrens home in the Ashley Down area of Bristol, perhaps one of the Muller Homes established by George Muller. Date: early 20th century
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4419187
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10418764
Ashley Bed Time Beds Bristol Dormitory Homes Muller Night Gown Nightgowns Nurses Orphan Orphanage Orphans Poverty Workhouse Workhouses Night Clothes
16"x24" (61x41cm) Metal Print
Bring the history of Children's Homes to life with our exquisite Metal Prints from Media Storehouse. This captivating image of a nursery at Ashley Down Children's Home in Bristol, sourced from Mary Evans Prints Online, showcases the tender moments between children and nurses in an early 20th century orphanage. Each Metal Print is meticulously crafted, transforming your chosen photograph into a stunning, vibrant work of art. The high-quality metal surface enhances colors and details, ensuring a beautiful, long-lasting addition to your home or office decor. Relive history with our unique and inspiring Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This evocative photograph captures a moment of tranquility and care at the Nursery of the Children's Home in Ashley Down, Bristol, during the early 20th century. The image shows a line of young children, dressed in nightgowns and night clothes, sitting on their beds in a dormitory-style room. The room is sparsely furnished, with simple wooden beds and a few toys scattered about. In the foreground, a kind-faced nurse stands, holding a baby in her arms, while another nurse checks on a sleeping child. The Children's Home in Ashley Down was established by German-born evangelist George Müller in 1836. Müller believed that children in need should be raised in loving, family-like environments rather than in workhouses or institutions. Over the years, he founded a network of homes that provided shelter, education, and spiritual guidance to thousands of orphaned and destitute children in Bristol and beyond. Despite the poverty and hardships of the time, this photograph conveys a sense of warmth and security. The children, tired from the day's activities, are nestled in their beds, ready for a good night's rest. The nurses, dedicated to their care, ensure that each child is settled and comfortable before the night's end. This poignant scene offers a glimpse into the history of children's welfare in Bristol and the compassionate work of George Müller and his colleagues.
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