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Metal Print : Return of the hot water bottles 1946
Metal Prints from Mary Evans Picture Library
Return of the hot water bottles 1946
Production of the rubber synthetic hot water bottle in Streatham factory, London, post Second World War. During the War, rubber was reserved for making tires for military trucks. In 1946 rubber was released from the War effort and the manufacture of rubber in house hold goods was permitted. Date: 1946
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14136431
© Illustrated London News Ltd/Mary Evans
1946 Bottle Bottles Hold Items Material Materials Method Methods Mould Peacetime Postwar Pressed Recycle Recycling Rubber Sheets Streatham Synthetic Trimming
16"x24" (61x41cm) Metal Print
Bring history to life with our exquisite Metal Prints from Media Storehouse. This captivating image, "Return of the Hot Water Bottles 1946" by Rights Managed from Mary Evans Prints Online, showcases a poignant moment in post-war Britain. Witness the production of rubber synthetic hot water bottles in a Streatham factory, London, where rubber was scarce due to its prior use in making tires for military trucks during World War II. Each Metal Print is meticulously crafted with vibrant colors and exceptional detail, ensuring a stunning addition to your home or office decor. Experience the fusion of history and artistry with our high-quality Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
In this evocative photograph from 1946, we witness the return of a familiar household item to peacetime Britain: the hot water bottle. During the Second World War, rubber, the primary material used in their production, was prioritized for the manufacture of military tires. With the end of hostilities, rubber was released for civilian use once again, and the production of rubber household goods, including hot water bottles, resumed. This image captures the process taking place at a factory in Streatham, London. Women workers are seen carefully trimming and shaping sheets of synthetic rubber, which are then pressed into molds to create the final product. The raw materials were recycled and reused, making the most of limited resources. The methodical and meticulous nature of the work is evident in the focused expressions of the women, who are deeply engaged in their tasks. The scene is a testament to the industrious spirit of post-war Britain, as the country transitioned from wartime production to peacetime manufacturing. This photograph offers a fascinating glimpse into the history of an everyday item and the methods used in its production during a pivotal moment in time. The return of the hot water bottle symbolized the simple pleasures and comforts that were once again accessible to the British public as they embraced the challenges and opportunities of post-war life.
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