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Metal Print : SEBASTIANO del PIOMBO, Sebastiano Luciano, also called (1485
Metal Prints from Mary Evans Picture Library
SEBASTIANO del PIOMBO, Sebastiano Luciano, also called (1485
SEBASTIANO del PIOMBO, Sebastiano Luciano, also called (1485-1547). Portrait of Andrea Doria. Renaissance art. Oil on canvas
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Media ID 8267067
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10211704
1485 1547 Andrea Called De L Doria Renaissance Sebastiano Aisa Luciano Piombo
16"x20" (51x41cm) Metal Print
Bring the timeless beauty of Renaissance art into your home with Media Storehouse's Metal Prints. Featuring this stunning portrait of Andrea Doria by the renowned artist Sebastiano del Piombo, our high-quality metal prints are not just a beautiful addition to any decor, but also a conversation starter. Each print is meticulously crafted using advanced printing techniques on durable aluminum sheets, ensuring vibrant colors and exceptional clarity that will last a lifetime. Experience the rich textures and intricate details of this masterpiece like never before. Order your Sebastiano del Piombo Metal Print today and add a touch of history and elegance to your space.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Sebastiano del Piombo, also known as Sebastiano Luciano (1485-1547), was an Italian Mannerist painter of the High Renaissance period. This stunning portrait depicts one of the most influential figures of the Italian Navy and Genoese military and political leader, Andrea Doria. Painted in oil on canvas, the portrait showcases the mastery of Sebastiano del Piombo's technique and his ability to capture the essence of his subject. Andrea Doria, born in 1466, rose to prominence as a naval commander in the service of the Republic of Genoa. He became a formidable military leader, and his victories against the Ottoman Turks and the Spanish fleet earned him a reputation as one of the greatest admirals in history. Doria's political influence extended beyond the military, and he played a significant role in Genoese politics, serving as the Doge of Genoa from 1528 to 1535. This portrait, created in the late 16th century, is a testament to the enduring legacy of both Sebastiano del Piombo and Andrea Doria. The artist expertly captures the intensity and determination in Doria's gaze, conveying his strength and leadership qualities. The rich, dark background emphasizes the sitter's presence, drawing the viewer's attention to the intricacies of his clothing and the subtle details of his facial features. The portrait is now part of the collection at the Aisa (Fondazione Magnani Rocca) in Piacenza, Italy, and is an essential addition to the study of both Renaissance art and the history of military leadership. The import of this work lies in its ability to encapsulate the spirit of the era and the remarkable individuals who shaped it.
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