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Metal Print : Tatler front cover, 1958
Metal Prints from Mary Evans Picture Library
Tatler front cover, 1958
Front cover of The Tatler for April 1958 featuring a model wearing a hat, or Easter bonnet, by French designer Pierre Cardin, using yards of wide-mesh net, swathed on a white, wired foundation and embellished here and there with dark green camellia leaves. Date: 1958
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14123785
© Illustrated London News Ltd/Mary Evans
1958 Bonnet Camellia Covers Designer Easter Headwear Magazines Mesh Millinery Pierre Tatler Veil Cardin
16"x20" (51x41cm) Metal Print
Bring a touch of retro glamour to your home with our Media Storehouse Metal Prints featuring the iconic front cover of The Tatler from April 1958. This timeless image, rights-managed from Mary Evans Prints Online, showcases a model in an elegant Easter bonnet designed by the visionary French designer Pierre Cardin. The intricate detailing and wide-mesh net fabric are beautifully captured in high definition on our premium metal prints, adding a stylish and sophisticated accent to any room. Order now and relive the elegance of the past, preserved in modern, vibrant metal.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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> Leaves Green
EDITORS COMMENTS
This striking front cover of The Tatler magazine from April 1958 showcases a fashionable model wearing an elegant Easter bonnet designed by the renowned French fashion designer Pierre Cardin. The hat, made primarily of wide-mesh net, is swathed on a white, wired foundation, creating a voluminous and airy silhouette. The netting is artfully embellished with dark green camellia leaves, adding a touch of natural beauty and sophistication to the design. The 1950s were a golden era for millinery, and this hat is a prime example of the innovative and intricate headpieces that defined the decade. The use of netting and veiling was particularly popular during this time, as it allowed for both functionality and style. The profile view of the model on the cover perfectly showcases the intricate details of the hat, from the delicate camellia leaves to the subtle curves of the netting. Pierre Cardin was a pioneering figure in the fashion industry, known for his avant-garde designs and his ability to blur the lines between haute couture and ready-to-wear clothing. This Easter bonnet is a testament to his creativity and his ability to elevate simple materials into something truly extraordinary. The image on the cover of The Tatler magazine captures the essence of the 1950s fashion scene, with its focus on elegance, innovation, and the art of hat-making. This photograph is a valuable historical document, offering a glimpse into the world of fashion during a time when hats were an essential accessory for women, and designers like Pierre Cardin were pushing the boundaries of what was possible with fabric and form.
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