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Metal Print : William II, Prince of Orange, and his Bride, Mary Stuart, 164
Metal Prints From Mary Evans Picture Library
William II, Prince of Orange, and his Bride, Mary Stuart, 164
Anthony van Dyck (1599-1641). Flemish painter. William II, Prince of Orange, and his Bride, Mary Stuart, 1641. Rijksmuseum. Amsterdam. Holland
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Media ID 14335122
© Thaliastock / Mary Evans
1641 Amsterdam Anthony Betrothed Bride Brooch Diamond Dyck Edging Flemish Fourteen Gift Henrietta Holland Jewel Jewellery Jewelry Lace Necklace Stuart
16"x20" (51x41cm) Metal Print
Bring history to life with our exquisite Metal Prints featuring the captivating portrait of William II, Prince of Orange, and his bride, Mary Stuart, by the renowned Flemish painter Anthony van Dyck. This stunning masterpiece, dated 1641, is now part of the Rijksmuseum's collection in Amsterdam, Holland. Our high-quality Metal Prints showcase the intricate details and vibrant colors of this iconic artwork, making it a unique and elegant addition to any home or office decor. Each print is carefully crafted using premium metal sheets and advanced printing techniques to ensure a long-lasting and visually stunning display. Relive the grandeur of the past with this beautiful piece of art history.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 40.6cm x 50.8cm (16" x 20")
Estimated Product Size is 41.2cm x 51.4cm (16.2" x 20.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This stunning 17th-century painting by the renowned Flemish artist Anthony van Dyck captures the moment of betrothal between William II, Prince of Orange, and Mary Stuart. Painted in 1641, the artwork is now housed in the Rijksmuseum in Amsterdam, Holland. William II, a prominent figure in Dutch and British history, is depicted as a mature and confident young man, dressed in elegant clothing and wearing an ornate hat adorned with feathers. His bride, Mary Stuart, a Scottish princess and daughter of King James VI of Scotland and England, is shown as a graceful and elegant girl, dressed in a beautiful white gown with intricate lace edging and a diamond necklace. Mary is seen presenting a brooch to her future husband as a gift, symbolizing their commitment to each other. The brooch, which is also adorned with diamonds, is clutched in her hand, adding to the intimacy of the scene. The couple's faces are expressive and full of emotion, reflecting the significance of the moment. The interior of the room is richly decorated, with grand furnishings and ornate details, adding to the grandeur of the occasion. The painting is a testament to the opulence and grandeur of the European aristocracy during this period. The marriage between William II and Mary Stuart was significant as it strengthened the alliance between the Dutch and the British monarchies, and paved the way for a peaceful transfer of power when William became King of England in 1689. The painting remains a cherished piece of art and a reminder of the complex political and social relationships that shaped Europe during the 17th century.
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