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Metal Print : The charred interior of the parliament is seen after it was burned in post-election

The charred interior of the parliament is seen after it was burned in post-election



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The charred interior of the parliament is seen after it was burned in post-election

The charred interior of the parliament is seen after it was burned in post-election protests in Libreville, Gabon, September 20, 2016. REUTERS/Edward McAllister TPX IMAGES OF THE DAY

Reuters photo archive features some of the most dramatic and iconic moments ever captured

Media ID 19897891

Abandoned Aerial View Architecture Building Burnt Conflict Damage Debris Demonstration Destroy Interior Kywd Kywd Rmv2 Nobody Parliament Remains Ruin Building Ruins Urban City View From Above Wide Angle Gabonese Government Building Top Pictures


16"x20" (51x41cm) Metal Print

Bring the power and intensity of history into your home with Media Storehouse Metal Prints. This captivating image, taken by Edward McAllister of Reuters, depicts the charred interior of the parliament building in Libreville, Gabon, following post-election protests in 2016. Our high-quality metal prints are not just a picture, they're a statement. With vibrant colors, sharp details, and a sleek, modern design, this image is sure to make a bold impression. Order your Media Storehouse Metal Print today and relive the story behind the image, every day.

Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.

Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space

Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")

Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Aerial Photography > Related Images

> Africa > Gabon > Libreville

> Africa > Gabon > Related Images

> Animals > Fishes > C > Char

> Architecture > Parliaments

> Arts > Artists > D > Edward Dayes

> Reuters Images > New


EDITORS COMMENTS
This powerful image captures the aftermath of a destructive event that shook the heart of Gabon's political landscape. The charred interior of the parliament building stands as a haunting testament to the post-election protests that engulfed Libreville on September 20,2016. In this wide-angle shot taken by Edward McAllister, debris and damage are scattered throughout the urban cityscape, reflecting the intensity of conflict and unrest. The once majestic government building now lies in ruins, its architecture reduced to ashes and ruin. From an aerial view, we witness a desolate scene where creative use has been made of copy space - no people or signs of life remain. This abandoned structure serves as a somber reminder of how quickly tensions can escalate and destroy even the most revered symbols of power. The burnt remnants evoke feelings of loss and despair while also symbolizing resilience in face of adversity. As we gaze upon this image, we cannot help but ponder over what led to such destruction and contemplate its implications for Gabonese society. Edward McAllister's photograph is not just another snapshot; it is one that encapsulates both tragedy and hope within its frame. It reminds us that buildings may crumble under pressure, but the spirit to rebuild remains unyielding.

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