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Metal Print : 1825 Watertons Taxidermy Nondescript
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1825 Watertons Taxidermy Nondescript
1825 " A Nondescript" drawn by T.H. Foljambe engraved on copper (with later tinting) by I.W. Lowry, being the frontispiece to Charles Watertons " Wanderings in South America" J. Mawman, London (1825). The specimen is derived from a howler monkey (some say its head, others its rump) and shows Watertons unique skills and method of Taxidermy which employed a sublimate of mercury and hollow specimens, to reform shape. It is clear from Watertons own jocular account that it was a prank. He is said to have admitted in later life that it was given the likeness of J.R. Lushington, secretary to the UK Treasury who had levied heavy import duties on his specimens. But Watertons own account strongly hints at two more serious motives for the hoax. To prove his unrivalled skills at taxidermy and to make the point that a monkey cannot be turned into a man (this question was argued long before Darwin)
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6346181
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Evolution Fake Fraud Hoax Mercury Monster Taxidermy Howler Monkey Waterton
16"x20" (51x41cm) Metal Print
Introducing the Media Storehouse Metal Prints featuring the captivating image of "A Nondescript" from Charles Waterton's "Wanderings in South America." This exquisite print, drawn by T.H. Foljambe and engraved on copper with later tinting by I.W. Lowry, showcases the intricate details and vibrant colors of this historical artwork. Our high-quality Metal Prints are not just a decorative addition to your space, they are a conversation starter and a testament to the beauty of natural history. Each print is carefully printed on a sheet of aluminum, resulting in a stunning glossy finish that is waterproof, scratch-resistant, and UV protected. Experience the art of the past in a modern and durable way with Media Storehouse Metal Prints.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Image Size (if not cropped) is 50.8cm x 40.6cm (20" x 16")
Estimated Product Size is 51.4cm x 41.2cm (20.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print showcases the intriguing "1825 Watertons Taxidermy Nondescript". Drawn by T. H. Foljambe and engraved on copper by I. W. Lowry, this piece served as the frontispiece to Charles Waterton's renowned book, "Wanderings in South America" published in London in 1825. The subject of this peculiar artwork is derived from a howler monkey, although there is debate about whether it depicts its head or rump. What makes this taxidermy specimen truly remarkable is Waterton's unique method, which involved using a sublimate of mercury and hollow structures to reshape the animal. However, it was later revealed that this creation was nothing more than an elaborate prank. Rumor has it that Waterton crafted the likeness of J. R. Lushington, secretary to the UK Treasury who had imposed heavy import duties on his specimens. Yet beyond mere mischief, there were deeper motives at play here. Through his jocular account and subsequent admissions, Waterton aimed to demonstrate his unparalleled taxidermy skills while also making a profound statement: no matter how skilled one may be at manipulating nature through artifice like taxidermy, transforming a monkey into a man remains an impossibility. This fascinating image raises questions about human evolution long before Darwin's time and delves into themes such as fraud and deception within scientific circles. It serves as both an artistic masterpiece and a thought-provoking historical artifact that continues to captivate viewers with its intricate details and complex narrative.
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