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Metal Print : 1857 Zimmermans The Primitive World 1857 Zimmermans The Primitive World
Metal Prints from Science Photo Library
1857 Zimmermans The Primitive World 1857 Zimmermans The Primitive World
1857 Engraved chromo lithograph frontispiece by Pannemaker from the French translation Edition of Zimmermans " Le Monde avant la Creation de L" Homme". It shows a long necked plesiosaur threatening what is possibly a mososaur (but may simply be a mash of Martin/Mantell reconstructions) while an iguanodon looks on from a rock (identifiable from its nose horn, which is now known to be a thumb spike). A pterosaur flies overhead, though its conception is rather bat-like, perhaps following Edward Newman (in The Zoologist, 1843) that they might be marsupial bats rather than flying reptiles. The volcanoes in the background signify Zimmermans thesis that these were violent worlds prone to Cuvierian catastrophe and global extinction
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6318203
© PAUL D STEWART/SCIENCE PHOTO LIBRARY
Buckland Catastrophe Colour Cuvier Dinosaur Extinction Iguanodon Mantell Owen Plesiosaur Pre Historic Pterodactyle Pterosaur Reconstruction Volcano Primeval
16"x24" (61x41cm) Metal Print
Discover the captivating beauty of the past with Media Storehouse's Metal Prints featuring the iconic 1857 Zimmerman's "The Primitive World" by Paul D. Stewart from Science Photo Library. This stunning engraved chromolithograph frontispiece, originally published in the French translation of Zimmerman's "Le Monde avant la Creation de L'Homme," transports you back in time with its intricate details and vivid colors. Our high-quality Metal Prints not only showcase the exquisite artwork but also provide a modern and contemporary look with their sleek metal finish. Add this timeless piece to your home or office décor and let the story of the primitive world come alive.
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
FEATURES IN THESE COLLECTIONS
> Animals
> Extinct
> Dinosaurs
> Animals
> Mammals
> Marsupials
EDITORS COMMENTS
This print takes us back to the 19th century, a time when the world of prehistoric creatures was still shrouded in mystery. The engraving, titled "1857 Zimmermans The Primitive World" is a chromo lithograph frontispiece created by Pannemaker for the French translation Edition of Zimmerman's book "Le Monde avant la Creation de L'Homme". In this mesmerizing scene, we are transported to an ancient world teeming with life and danger. A long-necked plesiosaur looms menacingly over what appears to be a mosasaur or a combination of Martin/Mantell reconstructions. Meanwhile, an iguanodon observes from atop a rocky perch, its distinctive nose horn catching our attention. Above them all soars a pterosaur, though its portrayal leans towards bat-like features rather than the traditional image of flying reptiles. This interpretation aligns with Edward Newman's theory that these creatures might have been marsupial bats instead. The backdrop showcases towering volcanoes, symbolizing Zimmerman's thesis that these primeval worlds were prone to catastrophic events and global extinctions - ideas influenced by Cuvierian theories prevalent at the time. Paul D. Stewart expertly captures this remarkable artwork from Owen's illustration collection. Through his lens, we can appreciate not only the scientific significance but also the artistic beauty inherent in these reconstructions of dinosaurs and other extinct species.
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