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Metal Print : 1855 Punch Dinosaurs Crystal Palace
Metal Prints from Science Photo Library
1855 Punch Dinosaurs Crystal Palace
1855 Cartoon from Punchs Almanac of that year, ascribed to John Leech. " A visit to the antediluvian reptiles at Sydenham - master Tom strongly objects to having his mind improved". Clockwise from top; Iguanodon (with bird on its wrongly ascribed horn), Megalosaurus, Hylaeosaurus, prehistoric gharial (teleosaurus), ichthyosaur. The actual exhibits were designed to fit the victorian ideal of educating the masses. They were the work of artist Benjamin Waterhouse Hawkins (based on the research of Owen, Mantell, Buckland, Conybeare and others). The Crystal Palace Antediluvians were the first life-size reconstructions of dinosaurs, and this cartoon indicates that many saw them as nightmarish monsters of a former age. Children would love dinosaurs ever after
Science Photo Library features Science and Medical images including photos and illustrations
Media ID 6346311
© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com
1855 Buckland Caricature Cartoon Crystal Palace Education Humour Ichthyosaur Iguanodon Mantell Megalosaur Megalosaurus Owen Pre Historic Punch Restoration Sydenham Victorian Hylaeosaurus John Leech
16"x24" (61x41cm) Metal Print
Step into the captivating world of prehistory with Media Storehouse's Metal Prints featuring the iconic 1855 Punch Dinosaurs illustration by Paul D. Stewart from Science Photo Library. This captivating image, originally published in Punch's Almanac, depicts a humorous scene of a young boy's reluctance to learn about dinosaurs at the Crystal Palace exhibition in Sydenham. Our high-quality Metal Prints bring this historical artwork to life, adding a unique and modern twist to your decor. Each print is meticulously printed on a durable aluminum sheet, ensuring vibrant colors and long-lasting durability. Elevate your home or office space with a touch of history and whimsy - order your Metal Print of 1855 Punch Dinosaurs today!
Made with durable metal and luxurious printing techniques, our metal photo prints go beyond traditional canvases, adding a cool, modern touch to your space. Wall mount on back. Eco-friendly 100% post-consumer recycled ChromaLuxe aluminum surface. The thickness of the print is 0.045". Featuring a Scratch-resistant surface and Rounded corners. Backing hangers are attached to the back of the print and float the print 1/2-inch off the wall when hung, the choice of hanger may vary depending on size and International orders will come with Float Mount hangers only. Finished with a brilliant white high gloss surface for unsurpassed detail and vibrance. Printed using Dye-Sublimation and for best care we recommend a non-ammonia glass cleaner, water, or isopropyl (rubbing) alcohol to prevent harming the print surface. We recommend using a clean, lint-free cloth to wipe off the print. The ultra-hard surface is scratch-resistant, waterproof and weatherproof. Avoid direct sunlight exposure.
Made with durable metal and luxurious printing techniques, metal prints bring images to life and add a modern touch to any space
Estimated Product Size is 61.5cm x 41.2cm (24.2" x 16.2")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print takes us back to the year 1855, capturing a moment of both awe and resistance. The image depicts a cartoon from Punch's Almanac, believed to be the work of John Leech, showcasing a visit to the antediluvian reptiles at Sydenham's Crystal Palace. Clockwise from top, we see an Iguanodon with a bird perched on its horn (though wrongly ascribed), followed by the mighty Megalosaurus, Hylaeosaurus, prehistoric gharial or teleosaurus, and an ichthyosaur. These life-size reconstructions were designed by artist Benjamin Waterhouse Hawkins based on extensive research by Owen, Mantell, Buckland, Conybeare and others. However, this cartoon reveals that while many saw these exhibits as educational tools for the masses in line with Victorian ideals of enlightenment through knowledge dissemination; some viewed them as nightmarish monsters from a forgotten era. The central figure in this illustration is "master Tom" who strongly objects to having his mind improved. This humorous caricature highlights how even children would develop an enduring fascination with dinosaurs after encountering these impressive creatures at Crystal Palace. Through this remarkable photograph print captured by Paul D. Stewart for Science Photo Library, we are transported back in time to witness not only the scientific achievements but also societal reactions surrounding these prehistoric reptiles' restoration.
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