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Mouse Mat : The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
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The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching)
NCO189792 The Dandy, published by Hannah Humphrey in 1810 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; English, out of copyright
Media ID 22599458
© Bridgeman Images
Boots Bridle Cravat Hanoverian Horserider Reins Riding Crop Saddle Sideburns Social Satire Spurs Stirrup Top Hat Jodphurs
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 19.1cm (9.3" x 7.5")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Dandy - A Satirical Glimpse into Georgian Society
EDITORS COMMENTS
. This print showcases "The Dandy" a hand-coloured etching published by Hannah Humphrey in 1810. Created by the renowned artist James Gillray, this piece offers a fascinating insight into the social satire of the time. Intriguingly, the image portrays an impeccably dressed rider atop a magnificent horse. The dashing gentleman dons a stylish jacket and cravat, complemented by his top hat and jodhpurs. His sideburns add to his fashionable appearance, while his riding crop and spurs hint at his equestrian expertise. Gillray's caricature brilliantly captures the essence of Georgian society, with its obsession for fashion and status. The exaggerated portrayal of this dandy serves as both entertainment and critique, shedding light on the superficiality prevalent among high society during that era. Noteworthy details such as the bridle, reins, saddle, stirrup, and boots further emphasize the attention paid to every aspect of horsemanship. The horse itself stands as a symbol of wealth and power within this context. Through this satirical masterpiece, Gillray masterfully combines artistry with social commentary. This print not only provides historical value but also invites viewers to reflect upon societal norms that transcend time. Courtesy of New College Oxford's collection and made available through Bridgeman Images' fine art finder platform; this remarkable engraving allows us to delve into an intriguing chapter
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