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Mouse Mat : Under the equatorial sun: construction of the railway line linking Brazzaville to the sea

Under the equatorial sun: construction of the railway line linking Brazzaville to the sea




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Under the equatorial sun: construction of the railway line linking Brazzaville to the sea

XEE4185412 Under the equatorial sun: construction of the railway line linking Brazzaville to the sea designed as a " civilizing work" that will allow French settlers to explore the country of Congo. Engraving in " Le petit Journal Illustre", 1924. Private collection. by Anonymous; Private Collection; (add.info.: Under the Equatorial Sun: construction of the railway line linking Brazzaville to the sea designed as a " civilizing work" that will allow French settlers to explore the country of Congo, Engraving in " Le Petity Journal illustrious", 1924. Private collection.); Stefano Bianchetti; out of copyright

Media ID 22470184

© Stefano Bianchetti / Bridgeman Images

Congo Construction Site A Journal


Mouse Pad

Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.

Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice

Estimated Image Size (if not cropped) is 19.4cm x 23.7cm (7.6" x 9.3")

Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Anonymous

> Africa > Related Images

> Africa > Republic of the Congo > Brazzaville

> Europe > France > Railways

> Popular Themes > Railway Posters

> Posters > Railway Posters


EDITORS COMMENTS
This print titled "Under the Equatorial Sun: Construction of the Railway Line Linking Brazzaville to the Sea" takes us back to a significant moment in history. Captured in an engraving featured in "Le Petit Journal Illustre" in 1924, it showcases the ambitious project undertaken by French settlers to connect Brazzaville with the sea through a railway line. The image symbolizes more than just infrastructure development; it represents France's colonial aspirations and their desire to explore and exploit the vast lands of Congo. The construction site depicted here is not merely about laying tracks but also seen as a "civilizing work" reflecting the mindset prevalent during that era. As we delve into this historical piece, we are reminded of both progress and oppression. The railway line was undoubtedly a feat of engineering marvel, opening up new possibilities for trade and transportation. However, it also highlights how colonization often came at great cost to local populations who were subjected to exploitation and displacement. Through Stefano Bianchetti's skillful engraving technique, this artwork brings forth layers of complexity surrounding Africa's colonial past. It serves as a reminder that history should be examined critically, acknowledging both its achievements and its darker aspects. Preserved within a private collection today, this print invites us to reflect on our shared human story while contemplating how far we have come since those days under the equatorial sun.

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