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Mouse Mat : The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train
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The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train
652110 The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train, (pencil and watercolour heightened with white) by Foster, Myles Birket (1825-99); 21.6x29.8 cm; Private Collection; (add.info.: The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train. Myles Birket Foster (1825-1899). Pencil and watercolour heightened with white. 21.6 x 29.8cm.); Photo eChristies Images; English, out of copyright
Media ID 23294694
© Christie's Images / Bridgeman Images
042012upload Architectural Feature British Art British Art On Paper Canal English Art English Artist Foster Gondola Heightened Heightening Large Group Locomotion Mid 19th Century Mid Nineteenth Century Myles Birket Foster Pediment Pencil Pencil Drawing Portico Rail Rail Transport Railroad Religious Building Travel Destination Veneto Region Venezia Victorian Art Water Color Water Colour Water Transport Water Vehicle Water Vessel Waterway White Color Artist British British Artist San Simeone Piccolo
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 23.7cm x 18cm (9.3" x 7.1")
Estimated Product Size is 23.7cm x 20.2cm (9.3" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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The Church of San Simone and San Guida (San Simeone Piccolo), Venice - Arrival of a Train
EDITORS COMMENTS
is a captivating print that captures the essence of 19th-century Venice. In this artwork by Myles Birket Foster, we are transported to a time when travel was an adventure and railways were just beginning to shape the world. The focal point of the image is the magnificent church, standing tall against the backdrop of Venetian architecture. Its grandeur is enhanced by Foster's meticulous pencil and watercolor technique, which adds depth and detail to every stroke. The artist's use of white heightening further illuminates the scene, creating a sense of ethereal beauty. In front of the church, we witness an intriguing juxtaposition between tradition and progress as a train arrives at its destination. A large group of people gathers around, eagerly awaiting their loved ones or embarking on new journeys themselves. Among them are men in top hats and women in elegant Victorian attire, reflecting both social hierarchy and cultural norms. As our gaze extends beyond the crowd, we notice gondolas gliding along the canal under a bright daytime sky. This harmonious blend of land and water transport symbolizes Venice's unique character as a city built on canals. "The Church of San Simone and San Guida (San Simeone Piccolo), Venice: Arrival of a Train" not only showcases Foster's artistic talent but also encapsulates an era defined by exploration, religious devotion, architectural marvels, bustling crowds, and timeless beauty. It serves as both an exquisite piece for art enthusiasts seeking British art from the mid-19th century and as a window into history for those fascinated by European culture during this period.
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