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A Salvation Army band being receiving abuse on a Paris street (colour litho)
2818266 A Salvation Army band being receiving abuse on a Paris street (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: A Salvation Army band receiving abuse on a Paris street for making too much noise. L Armee du Salut a Paris. Desordres dans la rue. Illustration for Le Petit Journal, 20 February 1892.); © Look and Learn
Media ID 22896298
© Look and Learn / Bridgeman Images
7 Deadly Sins Abuse Abused Anger Angry Bitterness Disturbance Drum Furor Marching Marching Band Noise Noisy Opposition Rage Salvation Army Seven Deadly Sins Unpopular Abusing Emotions
Mouse Pad
Standard Size Mouse Pad 7.75" x 9..25". High density Neoprene w linen surface. Easy to clean, stain resistant finish. Rounded corners.
Archive quality photographic print in a durable wipe clean mouse mat with non slip backing. Works with all computer mice
Estimated Image Size (if not cropped) is 16.6cm x 23.7cm (6.5" x 9.3")
Estimated Product Size is 20.2cm x 23.7cm (8" x 9.3")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment of intense emotion and opposition on the streets of Paris in the 19th century. In this vividly colored lithograph, we see a Salvation Army band being subjected to abuse and anger from the French public for their perceived noisy presence. The musicians, with their drums and instruments, march on bravely despite the hostility directed towards them. The image evokes a sense of disturbance and unpopularity as the band members face verbal attacks and disdain from passersby. Their dedication to spreading their message through music is met with resistance, highlighting the clash between tradition and progress in society. The scene reflects not only an act of abuse but also a deeper feeling of rage and bitterness that arises when opposing beliefs collide. It serves as a reminder that even acts rooted in goodwill can be met with opposition when they challenge established norms. This powerful illustration was originally published in Le Petit Journal on February 20,1892, shedding light on societal tensions during that time period. As we gaze upon this historical snapshot captured by Henri Meyer, we are reminded of the complexities inherent in human emotions and our capacity for both compassion and conflict.
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